1. From The Editor
  2. Barbara Cantalupo
  3. p. v
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  1. From The Guest Editors
  2. Barbara Cantalupo, Richard Kopley
  3. pp. vi-viii
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  1. "A worn, weary, discontented look"The Influence of West Point and the Hudson River Valley on Poe
  2. Gina Claywell
  3. pp. 137-152
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  1. The Folio Club Collection and the Silver Fork SchoolPerspectives on Poe's Framestory in Recent Scholarship
  2. Alexander Hammond
  3. pp. 153-176
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  1. Influence of Blair on Poe's GothicismThe Style of Terror and Horror in Poe's Early Woman-Centered Tales
  2. Tsai-Yi Chu
  3. pp. 177-191
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  1. Edgar Allan Poe and Eugene SueA Fraught Authorial Relationship
  2. Carole Shaffer-Koros
  3. pp. 192-205
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  1. Death, Decay, and the Daguerreotype's Influence on "The Black Cat"
  2. Susan Elizabeth Sweeney
  3. pp. 206-232
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  1. A Walk Up Nassau StreetPoe's Literary New York in the 1840s
  2. Heyward Ehrlich
  3. pp. 233-249
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  1. The Ecocritical Implications of Downing's Influence on Poe's Landscape Aesthetic
  2. Ellen M. Bayer
  3. pp. 250-273
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  1. Influencing Daniel HoffmanEureka and the Seven Poes
  2. David M. Robinson
  3. pp. 274-286
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  1. The Capital Warning of "Annabel Lee"
  2. Jeffrey A. Savoye
  3. pp. 287-289
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  1. Poe and the Idea of Music: Failure, Transcendence, and Dark Romanticism by Charity McAdams (review)
  2. Sean J. Kelly
  3. pp. 290-297
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  1. The Time-Transcending Poetry of Edgar Allan Poe: An Explanation of the Mechanics of His Poetic Speech by Slawomir Studniarz (review)
  2. Wesley Scott McMasters
  3. pp. 302-305
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  1. Edgar Allan Poe and the Jewel of Peru: A Poe and Dupin Mystery by Karen Lee Street (review)
  2. Tim Prchal
  3. pp. 306-308
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  1. Its Ghostly Workshop by Ron Smith (review)
  2. Derek Pollard
  3. pp. 309-314
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  1. Poe Studies Association Updates
  2. pp. 316-318
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  1. Abstracts for the Poe Panel at the MLA
  2. pp. 319-322
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