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In this Issue

Table of Contents

  1. Moving Together in an Era of Assembly
  2. Alana Gerecke, Laura Levin
  3. pp. 5-10
  4. restricted access
  1. Dramas of Homemaking and Hospitality in ATSA's Cuisine ta ville
  2. Sunita Nigam
  3. pp. 11-18
  4. restricted access
  1. Subverting Colonial Choreographies of Memory: Drag the Red and the March for Tina Fontaine
  2. Elan Marchinko
  3. pp. 19-25
  4. restricted access
  1. Steel Trees, Fish Skins, and Futurity Cyphers
  2. Karyn Recollet
  3. pp. 26-30
  4. restricted access
  1. Processions for Mother Earth: Scenes from a Flooded Summer
  2. Gabriel Levine
  3. pp. 31-36
  4. restricted access
  1. Moving Together, 22 Ways
  2. Justine A. Chambers, Alana Gerecke
  3. pp. 37-40
  4. restricted access
  1. Assembling Collaboration in the Debris Field: From Psychogeography to Choreographies of Assembly
  2. Mary Elizabeth Luka
  3. pp. 41-47
  4. restricted access
  1. Choreographies of Crip and Mad Travel
  2. Lindsay Eales, Danielle Peers
  3. pp. 48-52
  4. restricted access
  1. Choreo Graph | Women's Marches: A Photo-Assemblage
  2. Laura Levin
  3. pp. 53-55
  4. restricted access
  1. Montreal's Maple Spring: The Afterlives of Movement Histories
  2. Stefanie Ellen Miller
  3. pp. 56-61
  4. restricted access
  1. Black Lives Matter Toronto: Urgency as Choreographic Necessity
  2. Rodney Diverlus
  3. pp. 62-68
  4. restricted access
  1. Some People Are Oil and Water
  2. Brynn Catherine McNab
  3. pp. 69-74
  4. restricted access
  1. Pop-Up Art and the Aesthetics of Assembly
  2. Shana MacDonald
  3. pp. 75-79
  4. restricted access
  1. The Kinaesthetic Landscape of Toronto Caribbean Carnival: Transforming the Road into a Stage
  2. Jacqueline Taucar
  3. pp. 80-85
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  1. Your Timing Is Perfect and other wall works
  2. Jenn Goodwin
  3. pp. 86-90
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  1. Nocturnal Rhythms and Collective Practices
  2. Eleonora Diamanti
  3. pp. 91-95
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  1. Choreography for Audience—Take One
  2. Noémie Lafrance
  3. pp. 96-99
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  1. Editorial: Accessibility, Aesthetics, and Ethics
  2. Heather Davis-Fisch
  3. pp. 100-101
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  1. Integrating Accessibility and Aesthetics Onstage in Neworld Theatre's King Arthur's Night
  2. Megan Johnson
  3. pp. 102-106
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  1. Private Letters, Public Influence: A Review of A Man of Letters
  2. Lisa Aikman
  3. pp. 107-109
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  1. Toronto, English-Canada, and the 'ROC': Robert Lepage Onstage
  2. Claire Carolan
  3. pp. 110-111
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  1. The Strangers Within and Outside the Canadian Stage
  2. Jacqueline Taucar
  3. pp. 112-114
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  1. "A Multi-modal and Durational Praxis of Decolonization": Performance Studies in Canada
  2. Jen Harvie
  3. pp. 115-117
  4. restricted access