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In this Issue

Table of Contents

  1. Editors’ Page
  2. Stephanie G’Schwind
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/col.2018.0073
  5. restricted access
  1. Aisha and the Good for Nothing CatWinner of the 2018 Nelligan Prize for Short Fiction Selected by Margot Livesey
  2. Shannon Sweetnam
  3. pp. 3-17
  4. DOI: https://doi.org/10.1353/col.2018.0074
  5. restricted access
  1. The Earth Is No Escape From Heaven
  2. David Crouse
  3. pp. 18-35
  4. DOI: https://doi.org/10.1353/col.2018.0075
  5. restricted access
  1. The Whaler’s Wife
  2. Joanna Pearson
  3. pp. 36-51
  4. DOI: https://doi.org/10.1353/col.2018.0076
  5. restricted access
  1. A Mouth Is a House for Teeth
  2. Michelle Ross
  3. pp. 52-67
  4. DOI: https://doi.org/10.1353/col.2018.0077
  5. restricted access
  1. On Worry
  2. Erica Berry
  3. pp. 68-80
  4. DOI: https://doi.org/10.1353/col.2018.0078
  5. restricted access
  1. Death Mask
  2. Corey Van Landingham
  3. pp. 81-92
  4. DOI: https://doi.org/10.1353/col.2018.0079
  5. restricted access
  1. Meditation 38
  2. Julie Marie Wade
  3. pp. 93-119
  4. DOI: https://doi.org/10.1353/col.2018.0080
  5. restricted access
  1. From “Discipline Park”
  2. Toby Altman
  3. pp. 120-123
  4. DOI: https://doi.org/10.1353/col.2018.0081
  5. restricted access
  1. Whiteout
  2. Sarah Aronson
  3. p. 124
  4. DOI: https://doi.org/10.1353/col.2018.0082
  5. restricted access
  1. Proof of Extension, and: Memory / Mattering
  2. Kristin George Bagdanov
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/col.2018.0083
  5. restricted access
  1. From Dissolve
  2. Sherwin Bitsui
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/col.2018.0084
  5. restricted access
  1. Priceless Expendables
  2. C. Fausto Cabrera
  3. p. 129
  4. DOI: https://doi.org/10.1353/col.2018.0085
  5. restricted access
  1. Examination: Mothership
  2. Caylin Capra-Thomas
  3. p. 130
  4. DOI: https://doi.org/10.1353/col.2018.0086
  5. restricted access
  1. From “Digamma: Interloquies in Quantum Poetics”, and: Grapefruit, and: Kerning, and: The Nothing Palette
  2. Amy Catanzano
  3. pp. 131-132
  4. DOI: https://doi.org/10.1353/col.2018.0087
  5. restricted access
  1. Après L’exode, and: Après La guerre
  2. Travis Cebula
  3. pp. 133-134
  4. DOI: https://doi.org/10.1353/col.2018.0088
  5. restricted access
  1. A Cicada Sings at Night to Avoid Predators
  2. Brian Clifton
  3. p. 135
  4. DOI: https://doi.org/10.1353/col.2018.0089
  5. restricted access
  1. My Life in Words, and: Unexpected Being
  2. Kate Colby
  3. pp. 136-137
  4. DOI: https://doi.org/10.1353/col.2018.0090
  5. restricted access
  1. Flesh Memory
  2. Caroline Crew
  3. p. 138
  4. DOI: https://doi.org/10.1353/col.2018.0091
  5. restricted access
  1. Gaslight
  2. E. G. Cunningham
  3. p. 139
  4. DOI: https://doi.org/10.1353/col.2018.0092
  5. restricted access
  1. Eighteen Days without Night
  2. Weina Dai, Yujing Liang
  3. p. 140
  4. DOI: https://doi.org/10.1353/col.2018.0093
  5. restricted access
  1. They Don’t Tell Us Where They Go When They Die
  2. Jennifer Dunbar Dorn
  3. p. 141
  4. DOI: https://doi.org/10.1353/col.2018.0094
  5. restricted access
  1. The Stakes
  2. Mark DuCharme
  3. p. 142
  4. DOI: https://doi.org/10.1353/col.2018.0095
  5. restricted access
  1. Agnes Martin: Four Paintings
  2. Susanne Dyckman, Elizabeth Robinson
  3. pp. 143-146
  4. DOI: https://doi.org/10.1353/col.2018.0096
  5. restricted access
  1. A New Hope, and: The Passenger
  2. Alan Gilbert
  3. pp. 147-149
  4. DOI: https://doi.org/10.1353/col.2018.0097
  5. restricted access
  1. As Weapons Need Murder
  2. Melissa Ginsburg
  3. p. 150
  4. DOI: https://doi.org/10.1353/col.2018.0098
  5. restricted access
  1. Portrait of a Clarion
  2. Tanya Grae
  3. p. 151
  4. DOI: https://doi.org/10.1353/col.2018.0099
  5. restricted access
  1. What We Did During the Threat of War
  2. P. K. Harmon
  3. pp. 152-153
  4. DOI: https://doi.org/10.1353/col.2018.0100
  5. restricted access
  1. Lush, and: Vanishing Act
  2. Bob Hicok
  3. pp. 154-156
  4. DOI: https://doi.org/10.1353/col.2018.0101
  5. restricted access
  1. Earthly
  2. John Isles
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/col.2018.0102
  5. restricted access
  1. Vivian Maier
  2. Aby Kaupang
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/col.2018.0103
  5. restricted access
  1. Below Our Tree, Stands, and: Bare Neck of the Woods
  2. Benjamín Naka-Hasebe Kingsley
  3. pp. 161-162
  4. DOI: https://doi.org/10.1353/col.2018.0104
  5. restricted access
  1. When
  2. James Henry Knippen
  3. pp. 163-164
  4. DOI: https://doi.org/10.1353/col.2018.0105
  5. restricted access
  1. Портной / Tailor
  2. George Kovalenko
  3. p. 165
  4. DOI: https://doi.org/10.1353/col.2018.0106
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  1. Poem for My Friend in Virginia, and: Poem for My Friend in Chicago
  2. Krystal Languell
  3. pp. 166-167
  4. DOI: https://doi.org/10.1353/col.2018.0107
  5. restricted access
  1. The Whole Shebang
  2. Chloé Leisure
  3. p. 168
  4. DOI: https://doi.org/10.1353/col.2018.0108
  5. restricted access
  1. From The Epigrams
  2. Marcus Valerius Martialis (Martial), Tyler Goldman
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/col.2018.0109
  5. restricted access
  1. Mammals—
  2. Siwar Masannat
  3. pp. 171-172
  4. DOI: https://doi.org/10.1353/col.2018.0110
  5. restricted access
  1. A Recollection, Miraculous Jack’s Melodious Knack, and: Prothalamion
  2. Peter Michelson
  3. pp. 173-174
  4. DOI: https://doi.org/10.1353/col.2018.0111
  5. restricted access
  1. The History of My Silence, and: The History of My Silence
  2. Kimberly O’Connor
  3. pp. 175-176
  4. DOI: https://doi.org/10.1353/col.2018.0112
  5. restricted access
  1. My Mother as an Instrument of the Divine, and: My Mother as a Keeper of Memory
  2. Suzanne Manizza Roszak
  3. pp. 177-178
  4. DOI: https://doi.org/10.1353/col.2018.0113
  5. restricted access
  1. A Round of Solipsismsfor my 86th birthday
  2. Jerome Rothenberg
  3. pp. 179-184
  4. DOI: https://doi.org/10.1353/col.2018.0114
  5. restricted access
  1. [Eurydice]
  2. Emily Skaja
  3. p. 185
  4. DOI: https://doi.org/10.1353/col.2018.0115
  5. restricted access
  1. Progress
  2. Emma Train
  3. p. 186
  4. DOI: https://doi.org/10.1353/col.2018.0116
  5. restricted access
  1. Bad Queer (Homunculus)
  2. Brad Trumpfheller
  3. pp. 187-188
  4. DOI: https://doi.org/10.1353/col.2018.0117
  5. restricted access
  1. Contributor Notes
  3. pp. 189-194
  4. DOI: https://doi.org/10.1353/col.2018.0118
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