In this Issue
- Cinema Journal Retrospective
- Issue
- Guest Editor: Sara Bakerman
Formerly Cinema Journal, through volume 57, no.4, Summer 2018 (E-ISSN: 1527-2087, Print ISSN: 0009-7101).
JCMS: Journal of Cinema and Media Studies is the peer-reviewed, scholarly publication of the Society for Cinema and Media Studies (SCMS). JCMS's basic mission is to foster engaged debate and rigorous thinking among humanities scholars of film, television, digital media, and other audiovisual technologies. We are committed to the aesthetic, political, and cultural interpretation of these media and their production, circulation, and reception.
To that end, JCMS is dedicated to intellectual diversity of all kinds. We publish critical inquiry into the global, national, and local circulation of a wide variety of media. We seek to promote a range of approaches to film and media studies and attendant fields, including (but not limited to) digital media, sound studies, visual culture, video game studies, fan studies, and avant-garde and experimental film and media practices. We do not adhere to any methodological approach to media studies, nor do we focus on particular emphases in the field. The journal is open to all areas of humanities-oriented scholarship in media studies, including digital humanities.
In addition to feature articles, each issue of JCMS includes an “In Focus” dossier examining a topic of timely concern to SCMS members and book reviews of recently published texts in the field.
published by
University of Texas Pressviewing issue
Cinema Journal RetrospectiveTable of Contents
Feature Articles
Article from 1984
Articles from 1986
Article from 1990
Article from 2006
- The Academy and the Avant-Garde: A Relationship of Dependence and Resistance
- Originally published: 45, Number 2, Winter 2006
- pp. 17-42
- DOI: https://doi.org/10.1353/cj.2006.0023
Article from 2009
- The Crowd Outside the Lettered City: Imagining the Mass Audience in 1920s India
- Originally published: 48, Number 4, Summer 2009
- pp. 77-98
- DOI: https://doi.org/10.1353/cj.0.0149
In Focus: Queer Approaches to Film, Television, and Digital Media
Articles from 2014
- Introduction
- Originally published: Volume 53, Number 2, Winter 2014
- pp. 117-121
- DOI: https://doi.org/10.1353/cj.2014.0005
- The Sissy’s Courage: In Memoriam Alexander Doty
- Originally published: Volume 53, Number 2, Winter 2014
- pp. 122-126
- DOI: https://doi.org/10.1353/cj.2014.0008
- Six Crises
- Originally published: Volume 53, Number 2, Winter 2014
- pp. 126-132
- DOI: https://doi.org/10.1353/cj.2014.0012
- Queer Television Studies: Currents, Flows, and (Main)streams
- Originally published: Volume 53, Number 2, Winter 2014
- pp. 133-139
- DOI: https://doi.org/10.1353/cj.2014.0015
- Queer Recalibration
- Originally published: Volume 53, Number 2, Winter 2014
- pp. 140-144
- DOI: https://doi.org/10.1353/cj.2014.0018
- Queer Asian Cinema and Media Studies: From Hybridity to Critical Regionality
- Originally published: Volume 53, Number 2, Winter 2014
- pp. 145-151
- DOI: https://doi.org/10.1353/cj.2014.0001
- Queer OS
- Originally published: Volume 53, Number 2, Winter 2014
- pp. 152-157
- DOI: https://doi.org/10.1353/cj.2014.0004
- Contributors
- Originally published: Volume 53, Number 2, Winter 2014
- pp. 158-159
- DOI: https://doi.org/10.1353/cj.2014.0007
In Focus: African-American Caucus
Articles from 2014
- Introduction: When and Where We Enter
- Originally published: Volume 53, Number 4, Summer 2014
- pp. 121-127
- DOI: https://doi.org/10.1353/cj.2014.0034
- Black Film, New Media Industries, and BAMMs (Black American Media Moguls) in the Digital Media Ecology
- Originally published: Volume 53, Number 4, Summer 2014
- pp. 128-133
- DOI: https://doi.org/10.1353/cj.2014.0038
- “Who’s ‘We,’ White Man?”: Scholarship, Teaching, and Identity Politics in African American Media Studies
- Originally published: Volume 53, Number 4, Summer 2014
- pp. 134-140
- DOI: https://doi.org/10.1353/cj.2014.0041
- No Getting around the Black
- Originally published: Volume 53, Number 4, Summer 2014
- pp. 140-146
- DOI: https://doi.org/10.1353/cj.2014.0044
- Whose “Black Film” Is This?: The Pragmatics and Pathos of Black Film Scholarship
- Originally published: Volume 53, Number 4, Summer 2014
- pp. 146-150
- DOI: https://doi.org/10.1353/cj.2014.0047
- Black Women On-Screen as Future Texts: A New Look at Black Pop Culture Representations
- Originally published: Volume 53, Number 4, Summer 2014
- pp. 150-157
- DOI: https://doi.org/10.1353/cj.2014.0050
- Keeping the Black in Media Production: One L.A. Rebellion Filmmaker’s Notes
- Originally published: Volume 53, Number 4, Summer 2014
- pp. 157-161
- DOI: https://doi.org/10.1353/cj.2014.0054
- Contributors
- Originally published: Volume 53, Number 4, Summer 2014
- pp. 162-163
- DOI: https://doi.org/10.1353/cj.2014.0037