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In this Issue

Table of Contents

With the publication of the Fall 2018 issue, Cinema Journal officially became the JCMS: Journal of Cinema and Media Studies. This special, retrospective issue celebrates the continuity between JCMS and its predecessor, making some of our favorite articles from the past open-access for the future.

  1. Introduction
  2. Sara Bakerman
  3. DOI: https://doi.org/10.1353/cj.2018.0092
  4. open access
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Feature Articles

Article from 1984

  1. “Something Else Besides a Mother”: Stella Dallas and the Maternal Melodrama
  2. Linda Williams
  3. pp. 2-27
  4. DOI: https://doi.org/10.1353/cj.2018.0091
  5. open access
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Articles from 1986

  1. Mass Culture and the Feminine: The “Place” of Television in Film Studies
  2. Patrice Petro
  3. pp. 5-21
  4. DOI: https://doi.org/10.1353/cj.2018.0090
  5. open access
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  1. Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship
  2. Miriam Hansen
  3. pp. 6-32
  4. DOI: https://doi.org/10.1353/cj.2018.0088
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Article from 1990

  1. “Something’s Missing Here!”: Homosexuality and Film Reviews during the Production Code Era, 1934–1962
  2. Chon Noriega
  3. pp. 20-41
  4. DOI: https://doi.org/10.1353/cj.2018.0089
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Article from 2006

  1. The Academy and the Avant-Garde: A Relationship of Dependence and Resistance
  2. Michael Zryd
  3. Originally published: 45, Number 2, Winter 2006
  4. pp. 17-42
  5. DOI: https://doi.org/10.1353/cj.2006.0023
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Article from 2009

  1. The Crowd Outside the Lettered City: Imagining the Mass Audience in 1920s India
  2. Manishita Dass
  3. Originally published: 48, Number 4, Summer 2009
  4. pp. 77-98
  5. DOI: https://doi.org/10.1353/cj.0.0149
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In Focus: Queer Approaches to Film, Television, and Digital Media

Articles from 2014

  1. Introduction
  2. Patty Ahn, Julia Himberg, Damon R. Young
  3. Originally published: Volume 53, Number 2, Winter 2014
  4. pp. 117-121
  5. DOI: https://doi.org/10.1353/cj.2014.0005
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  1. The Sissy’s Courage: In Memoriam Alexander Doty
  2. Corey K. Creekmur
  3. Originally published: Volume 53, Number 2, Winter 2014
  4. pp. 122-126
  5. DOI: https://doi.org/10.1353/cj.2014.0008
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  1. Six Crises
  2. Matthew Hays, Thomas Waugh
  3. Originally published: Volume 53, Number 2, Winter 2014
  4. pp. 126-132
  5. DOI: https://doi.org/10.1353/cj.2014.0012
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  1. Queer Television Studies: Currents, Flows, and (Main)streams
  2. Lynne Joyrich
  3. Originally published: Volume 53, Number 2, Winter 2014
  4. pp. 133-139
  5. DOI: https://doi.org/10.1353/cj.2014.0015
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  1. Queer Recalibration
  2. Quinn Miller
  3. Originally published: Volume 53, Number 2, Winter 2014
  4. pp. 140-144
  5. DOI: https://doi.org/10.1353/cj.2014.0018
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  1. Queer Asian Cinema and Media Studies: From Hybridity to Critical Regionality
  2. Audrey Yue
  3. Originally published: Volume 53, Number 2, Winter 2014
  4. pp. 145-151
  5. DOI: https://doi.org/10.1353/cj.2014.0001
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  1. Queer OS
  2. Kara Keeling
  3. Originally published: Volume 53, Number 2, Winter 2014
  4. pp. 152-157
  5. DOI: https://doi.org/10.1353/cj.2014.0004
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  1. Contributors
  2. Originally published: Volume 53, Number 2, Winter 2014
  3. pp. 158-159
  4. DOI: https://doi.org/10.1353/cj.2014.0007
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In Focus: African-American Caucus

Articles from 2014

  1. Introduction: When and Where We Enter
  2. Beretta E. Smith-Shomade, Racquel Gates, Miriam J. Perry
  3. Originally published: Volume 53, Number 4, Summer 2014
  4. pp. 121-127
  5. DOI: https://doi.org/10.1353/cj.2014.0034
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  1. Black Film, New Media Industries, and BAMMs (Black American Media Moguls) in the Digital Media Ecology
  2. Anna Everett
  3. Originally published: Volume 53, Number 4, Summer 2014
  4. pp. 128-133
  5. DOI: https://doi.org/10.1353/cj.2014.0038
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  1. “Who’s ‘We,’ White Man?”: Scholarship, Teaching, and Identity Politics in African American Media Studies
  2. Allyson Nadia Field
  3. Originally published: Volume 53, Number 4, Summer 2014
  4. pp. 134-140
  5. DOI: https://doi.org/10.1353/cj.2014.0041
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  1. No Getting around the Black
  2. Mark D. Cunningham
  3. Originally published: Volume 53, Number 4, Summer 2014
  4. pp. 140-146
  5. DOI: https://doi.org/10.1353/cj.2014.0044
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  1. Whose “Black Film” Is This?: The Pragmatics and Pathos of Black Film Scholarship
  2. Terri Francis
  3. Originally published: Volume 53, Number 4, Summer 2014
  4. pp. 146-150
  5. DOI: https://doi.org/10.1353/cj.2014.0047
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  1. Black Women On-Screen as Future Texts: A New Look at Black Pop Culture Representations
  2. Nina Cartier
  3. Originally published: Volume 53, Number 4, Summer 2014
  4. pp. 150-157
  5. DOI: https://doi.org/10.1353/cj.2014.0050
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  1. Keeping the Black in Media Production: One L.A. Rebellion Filmmaker’s Notes
  2. Zeinabu Irene Davis
  3. Originally published: Volume 53, Number 4, Summer 2014
  4. pp. 157-161
  5. DOI: https://doi.org/10.1353/cj.2014.0054
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  1. Contributors
  2. Originally published: Volume 53, Number 4, Summer 2014
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/cj.2014.0037
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