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In this Issue

Table of Contents

  1. Eco-Shakespeare in Performance: Introduction
  2. Randall Martin, Evelyn O'Malley
  3. pp. 377-390
  4. DOI: https://doi.org/10.1353/shb.2018.0036
  5. restricted access
  1. Nature's Above Art (An Illustrated Guide)
  2. Rob Conkie
  3. pp. 391-408
  4. DOI: https://doi.org/10.1353/shb.2018.0037
  5. restricted access
  1. "To weather a play": Audiences, Outdoor Shakespeares, and Avant-Garde Nostalgia at The Willow Globe
  2. Evelyn O'Malley
  3. pp. 409-427
  4. DOI: https://doi.org/10.1353/shb.2018.0038
  5. restricted access
  1. "…the season of all natures": Montana Shakespeare in the Parks' Global Warming Macbeth
  2. Gretchen E. Minton
  3. pp. 429-448
  4. DOI: https://doi.org/10.1353/shb.2018.0039
  5. restricted access
  1. A Rogue and Pleasant Stage: Performing Ecology in Outdoor Shakespeares
  2. Rebecca Salazar
  3. pp. 449-466
  4. DOI: https://doi.org/10.1353/shb.2018.0040
  5. restricted access
  1. Breaking the Bounds of Domesticity: Ecofeminism and Nature Space in Love's Labour's Lost
  2. Miriam Kammer
  3. pp. 467-483
  4. DOI: https://doi.org/10.1353/shb.2018.0041
  5. restricted access
  1. Constructing Dying and Death as an Eco-Political Concern in Performances of Shakespeare's King Lear and Sarah Kane's Blasted
  2. Jennifer Mae Hamilton
  3. pp. 485-500
  4. DOI: https://doi.org/10.1353/shb.2018.0042
  5. restricted access
  1. Afterword
  2. Sharon O'Dair
  3. pp. 501-510
  4. DOI: https://doi.org/10.1353/shb.2018.0043
  5. restricted access
  1. Julius Caesar presented by The Bridge Theatre (review)
  2. Gemma Miller
  3. pp. 511-514
  4. DOI: https://doi.org/10.1353/shb.2018.0044
  5. restricted access
  1. Twelfth Night presented by The Shakespeare Theatre Company at Sidney Harman Hall (review)
  2. Noel Sloboda
  3. pp. 515-519
  4. DOI: https://doi.org/10.1353/shb.2018.0045
  5. restricted access
  1. Faustus presented by Shakespearemachine at the ArtsLab Theatre (review)
  2. Manuel Antonio Jacquez
  3. pp. 519-522
  4. DOI: https://doi.org/10.1353/shb.2018.0046
  5. restricted access
  1. Richard II presented by the American Shakespeare Center at Blackfriars Playhouse (review)
  2. Justin B. Hopkins
  3. pp. 522-525
  4. DOI: https://doi.org/10.1353/shb.2018.0047
  5. restricted access
  1. Macbeth presented by National Theatre (review)
  2. Hailey Bachrach
  3. pp. 526-529
  4. DOI: https://doi.org/10.1353/shb.2018.0048
  5. restricted access
  1. Will Produced by Monumental Television for TNT (review)
  2. Richard O'Brien
  3. pp. 529-534
  4. DOI: https://doi.org/10.1353/shb.2018.0049
  5. restricted access
  1. Périclès, Prince de Tyr presented in French by Cheek by Jowl at Les Gémeaux/Sceaux/Scène Nationale (review)
  2. Anne-Valerie Dulac
  3. pp. 534-537
  4. DOI: https://doi.org/10.1353/shb.2018.0050
  5. restricted access
  1. Hamlet presented by the Shakespeare Theatre Company at Sidney Harman Hall (review)
  2. Michael J. Collins
  3. pp. 537-541
  4. DOI: https://doi.org/10.1353/shb.2018.0051
  5. restricted access
  1. Richard III presented by SEM Company at Seoul Arts Center (review)
  2. Yu Jin Ko
  3. pp. 542-546
  4. DOI: https://doi.org/10.1353/shb.2018.0052
  5. restricted access
  1. The Roaring Girl presented by the Classical Actors Ensemble at The Gremlin Theater (review)
  2. Douglas Green
  3. pp. 546-549
  4. DOI: https://doi.org/10.1353/shb.2018.0053
  5. restricted access
  1. Othello presented by Het Nationale Theater at Stadsschouwburg De Harmonie (review)
  2. Coen Heijes
  3. pp. 550-554
  4. DOI: https://doi.org/10.1353/shb.2018.0054
  5. restricted access
  1. Pericles Wet presented by Portland Shakespeare Project at Artists Repertory Theatre (review)
  2. Elizabeth E. Tavares
  3. pp. 554-558
  4. DOI: https://doi.org/10.1353/shb.2018.0055
  5. restricted access
  1. The Oxford Handbook of Shakespeare and Performance ed. by James C. Bulman, and: The Shakespearean World ed. by Jill L. Levenson and Robert Ormsby (review)
  2. Will Tosh
  3. pp. 559-563
  4. DOI: https://doi.org/10.1353/shb.2018.0056
  5. restricted access