Front Cover: The diversity of computer music is represented here by two circular containers that serve disparate purposes. The one at left is a Petri dish harboring a slime mold used for musical biocomputing, as described in the article by Miranda, Braund, and Venkatesh. The circle at right is one of 96 trays spread on the ground, each holding a tablet and loudspeaker, as explained in John Moeller’s article on spatialization.

Back Cover: An excerpt from the score of Eduardo Reck Miranda’s Biocomputer Rhythms.

Computer Music Journal

In this Issue

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Constraints and Freedom: A Conversation with Georg Katzer
Martin Supper
pp. 8-16
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Multichannel Works for Nonstationary Audiences
John D. Moeller
pp. 17-27
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