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In this Issue

Table of Contents

  1. Introduction
  2. Sarah McCarroll
  3. pp. 5-10
  4. DOI: https://doi.org/10.1353/tsy.2018.0000
  5. restricted access
  1. Plus que ReineThe Napoleonic Revival in Belle Epoque Theatre and Fashion
  2. Michele Majer
  3. pp. 11-39
  4. DOI: https://doi.org/10.1353/tsy.2018.0001
  5. restricted access
  1. Creating a Realistic Rendering PedagogyThe Fashion Illustration Problem
  2. Caitlin Quinn
  3. pp. 40-48
  4. DOI: https://doi.org/10.1353/tsy.2018.0002
  5. restricted access
  1. Where'd I Put My Character?The Costume Character Body and Essential Costuming for the Ensemble Actor
  2. Aly Renee Amidei
  3. pp. 49-57
  4. DOI: https://doi.org/10.1353/tsy.2018.0003
  5. restricted access
  1. Embracing the ChaosCreating Costumes for Devised Work
  2. Kyla Kazuschyk
  3. pp. 58-71
  4. DOI: https://doi.org/10.1353/tsy.2018.0004
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  1. Dressing the ImageCostumes in Printed Theatrical Advertising
  2. David S. Thompson
  3. pp. 72-87
  4. DOI: https://doi.org/10.1353/tsy.2018.0005
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  1. Costuming the AudienceGentility, Consumption, and the Lady's Theatre Hat in Gilded Age America
  2. Leah Lowe
  3. pp. 88-99
  4. DOI: https://doi.org/10.1353/tsy.2018.0006
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  1. The RuPaul EffectThe Exploration of the Costuming Rituals of Drag Culture in Social Media and the Theatrical Performativity of the Male Body in the Ambit of the Everyday
  2. Jorge Sandoval
  3. pp. 100-117
  4. DOI: https://doi.org/10.1353/tsy.2018.0007
  5. restricted access
  1. A Brand New Day on BroadwayThe Genius of Geoffrey Holder's Artistry and His Intentional Evocation of the African Diaspora
  2. Gregory S. Carr
  3. pp. 118-126
  4. DOI: https://doi.org/10.1353/tsy.2018.0008
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  1. "On the [Historical] Sublime"J. R. Planché's King John and the Romantic Ideal of the Past
  2. Andrew Gibb
  3. pp. 127-140
  4. DOI: https://doi.org/10.1353/tsy.2018.0009
  5. restricted access
  1. Contributors
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/tsy.2018.0010
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