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In this Issue

Table of Contents

  1. Trust in Invisible Agents
  2. Drew Hemment
  3. p. 450
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  1. Virtual Reality—Virtual BrainQuestioning Reality
  2. Teresa Wennberg
  3. pp. 453-459
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  1. Color Plate Insert
  3. pp. 461-464
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  1. Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance
  2. PerMagnus Lindborg
  3. pp. 466-474
  4. restricted access
  1. Advanced Constructivism and Postgravity ArtTheoretical and Philosophical Implications
  2. Mojca Puncer
  3. pp. 475-481
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  1. Walk-in TheaterInteraction Design for a Miniature Experience with Peripatetic Cinema
  2. Rachel Strickland, Eric Gould Bear, Jim McKee
  3. pp. 482-490
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  1. A Virtual Three-Dimensional Model of Las MeninasParadox or Mirror Image?
  2. Luis Ramón-Laca
  3. pp. 492-497
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  1. Sculpture in SpaceFlotation and Levitation in Postwar Art
  2. Stephen Petersen
  3. pp. 498-502
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  1. The Character Thinks Ahead: Creative Writing with Deep Learning Nets and Its Stylistic Assessment
  2. Roger T. Dean, Hazel Smith
  3. pp. 503-504
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  1. Abstract of: A Geometric Surprise in Dürer’s Engraving of St. Jerome in His Study
  2. Dennis Couzin
  3. pp. 505-506
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  1. Scanning Electron Microscope: Transmigration of Scientific Photography into the Domain of Art
  2. Anastasia Tyurina
  3. pp. 507-508
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  1. Modeling the Immune System with GesturesA Choreographic View of Embodiment in Science
  2. Klaus Spiess, Lucie Strecker, Michael Kimmel, Melanie Martes, Peter Pietschmann
  3. pp. 509-516
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  1. SurroundedA Series of Sound Installations That Combine Plant Electrophysiology and 3D Sonic Art
  2. Augustine Leudar
  3. pp. 517-523
  4. restricted access
  1. Top-Rated LABS Abstracts 2017
  2. Sheila Pinkel
  3. p. 524
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  1. Amplifying AmbiguitiesArt on the Fringes of Biotechnology
  2. Nora S. Vaage
  3. p. 525
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  1. Establishing a Critical Framework for the Appraisal of “Noise” in Contemporary Sound Art with Specific Reference to the Practices of Yasunao Tone, Carsten Nicolai and Ryoji Ikeda
  2. Adam Collis
  3. p. 526
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  1. Transductive Praxis in Bioart
  2. Tyler Fox
  3. p. 526
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  1. Duchamp Meets TuringArt, Modernism, Posthuman
  2. Gabriela Galati
  3. p. 527
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  1. Microsound, Spectra, and ObjectivityTracing Memetics in Organized Sound
  2. Vincent Giles
  3. p. 527
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  1. Composing [De]CompositionData Sonification for Sound Art and Music Composition
  2. Jennifer no.e Parker
  3. p. 528
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  1. When Crispr Meets ArtThe Experience of Relationality Through the Affective Agency of Matter
  2. Lotte Pet
  3. p. 528
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  1. Robotic Sculpture Development Through Appropriated Choreographic Strategies, Facilitating Artistic Exploration of Visual Perception, Object-Ness and Symbiosis Between Physical and Virtual Media
  2. Marco Pinter
  3. p. 529
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  1. Computer Art and Actor-Network TheoryActants and Intersubjective Associations in Scene
  2. Carlos C. Praude
  3. p. 529
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  1. The Practices of Art and Science
  2. Hannah Star Rogers
  3. p. 530
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  1. Executing LivenessAn Examination of the Live Dimension of Code Inter-actions in Software (Art) Practice
  2. Winnie Soon
  3. p. 530
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  1. Contemporary Urban Media Art—Images of UrgencyA Curatorial Inquiry
  2. Tanya Toft
  3. p. 531
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  1. Live Brain–Computer Cinema Performance
  2. Polina Zioga
  3. p. 531
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  1. Film as Philosophy ed. by Bernd Herzogenrath (review)
  2. Michael Punt, Hannah Drayson, Dene Grigar, Jane Hutchinson, Will Luers
  3. pp. 533-534
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  1. Gallery Sound by Caleb Kelly (review)
  2. John F. Barber
  3. p. 534
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  1. Textures of the Anthropocene: Grain Vapor Ray by Katrin Klingan, et al. (review)
  2. Edith Doove
  3. pp. 535-536
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  1. So Famous and So Gay: The Fabulous Potency of Truman Capote and Gertrude Stein by Jeff Solomon (review)
  2. Jan Baetens
  3. pp. 536-537
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  1. Patrick Tresset: Human Traits and the Art of Creative Machines ed. by Ryszard W. Kluszczyński (review)
  2. Rob Harle
  3. pp. 537-538
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  1. Live Wires: A History of Electronic Music by Daniel Warner (review)
  2. John F. Barber
  3. pp. 538-539
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  1. Chinese Dance: In the Vast Land and Beyond by Shih-Ming Li Chang, Lynn Frederiksen (review)
  2. Jonathan Zilberg
  3. pp. 539-541
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  1. Arthur Balfour’s Ghosts: An Edwardian Elite and the Riddle of Cross-Correspondence Automatic Writings by Trevor Hamilton (review)
  2. Anna Walker
  3. pp. 541-542
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  1. Code and Clay, Data and Dirt: Five Thousand Years of Urban Media by Shannon Mattern (review)
  2. Jussi Parikka
  3. pp. 542-543
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  1. Modernist Informatics: Literature, Information, and the State by James Purdon (review)
  2. Boris Jardine
  3. pp. 543-545
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  1. Mentored by a Madman: The William Burroughs Experiment by A.J. Lees (review)
  2. Jan Baetens
  3. pp. 545-546
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  1. Childart Magazine: Arts and Mind—The Brain Science of Human Experience (July–September 2017) ed. by Ashfaq Ishaq (review)
  2. Amy Ione
  3. pp. 546-548
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  1. Leonardo Reviews Online
  3. p. 548
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  1. The Network
  3. pp. 549-550
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  1. Art, Aliens and the Machine
  2. G.W. Smith
  3. pp. 551-552
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