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In this Issue

Table of Contents

  1. Sleep Suppressants
  2. Yim Tan Wong
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/ccr.2018.0000
  5. restricted access
  1. Lightwoman's Lament
  2. Denise Sweet
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/ccr.2018.0001
  5. restricted access
  1. Was it Supposed to Feel Good
  2. Tyler Kline
  3. p. 12
  4. DOI: https://doi.org/10.1353/ccr.2018.0002
  5. restricted access
  1. Selfie with Poem
  2. Varun Ravindran
  3. p. 13
  4. DOI: https://doi.org/10.1353/ccr.2018.0003
  5. restricted access
  1. Sometimes They Scream
  2. Eric Magnuson
  3. pp. 14-26
  4. DOI: https://doi.org/10.1353/ccr.2018.0004
  5. restricted access
  1. Memory Is a Field That Stirs
  2. Alison Palmer
  3. p. 27
  4. DOI: https://doi.org/10.1353/ccr.2018.0005
  5. restricted access
  1. Kool Filters
  2. Tom Williams
  3. pp. 28-29
  4. DOI: https://doi.org/10.1353/ccr.2018.0006
  5. restricted access
  1. Smokestacks, and: Mannequin Prison
  2. Ryan Schaufler
  3. pp. 30-31
  4. DOI: https://doi.org/10.1353/ccr.2018.0007
  5. restricted access
  1. Shattered Self-Portraits in the Process of Restoration
  2. Emily Townsend
  3. pp. 32-56
  4. DOI: https://doi.org/10.1353/ccr.2018.0008
  5. restricted access
  1. Heavy, and: Sorry/Sorrow, and: Decoy
  2. Ashley Parker Owens
  3. pp. 57-59
  4. DOI: https://doi.org/10.1353/ccr.2018.0009
  5. restricted access
  1. ruby, n. and adj., and: Letters, Part 4, and: Letters, Part 5
  2. Lisa Low
  3. pp. 60-62
  4. DOI: https://doi.org/10.1353/ccr.2018.0010
  5. restricted access
  1. Promise Me
  2. Lisha Ruan
  3. p. 63
  4. DOI: https://doi.org/10.1353/ccr.2018.0011
  5. restricted access
  1. May, June
  2. Talia Shalev
  3. p. 64
  4. DOI: https://doi.org/10.1353/ccr.2018.0012
  5. restricted access
  1. We are Not Alone
  2. John Sibley Williams
  3. p. 65
  4. DOI: https://doi.org/10.1353/ccr.2018.0013
  5. restricted access
  1. "What is there to say?", and: "has a city ever looked so beautiful?"
  2. Muriel Leung
  3. pp. 66-68
  4. DOI: https://doi.org/10.1353/ccr.2018.0014
  5. restricted access
  1. [for & against] Longing
  2. Kara Dorris
  3. p. 69
  4. DOI: https://doi.org/10.1353/ccr.2018.0015
  5. restricted access
  1. Prescience
  2. Danielle Weeks
  3. p. 70
  4. DOI: https://doi.org/10.1353/ccr.2018.0016
  5. restricted access
  1. The Second Birth
  2. Monica Boothe
  3. pp. 71-73
  4. DOI: https://doi.org/10.1353/ccr.2018.0017
  5. restricted access
  1. The Order
  2. Maria Martin
  3. p. 74
  4. DOI: https://doi.org/10.1353/ccr.2018.0018
  5. restricted access
  1. In the Middle of the Room
  2. Elisabeth Blair, Jeff Morris
  3. pp. 75-79
  4. DOI: https://doi.org/10.1353/ccr.2018.0019
  5. restricted access
  1. Predator and Prey, and: Puff the Magic Dragonfly
  2. Gretchen Gales
  3. pp. 80-81
  4. DOI: https://doi.org/10.1353/ccr.2018.0020
  5. restricted access
  1. March
  2. Rebecca Pelky
  3. p. 82
  4. DOI: https://doi.org/10.1353/ccr.2018.0021
  5. restricted access
  1. In the Absence of Sparrows, I Learn to Stop Hearing Sparrows, and: When I write heart I mean
  2. Saara Myrene Raappana
  3. pp. 83-85
  4. DOI: https://doi.org/10.1353/ccr.2018.0022
  5. restricted access
  1. Wolf Diary
  2. Emily Cataneo
  3. pp. 86-96
  4. DOI: https://doi.org/10.1353/ccr.2018.0023
  5. restricted access
  1. Wake
  2. Christine Robbins
  3. pp. 97-101
  4. DOI: https://doi.org/10.1353/ccr.2018.0024
  5. restricted access
  1. Black Me, and: cover for Winter Black
  2. Daniel Maluka
  3. pp. 102-103
  4. DOI: https://doi.org/10.1353/ccr.2018.0025
  5. restricted access
  1. The Butter People
  2. Leyna Krow
  3. pp. 104-106
  4. DOI: https://doi.org/10.1353/ccr.2018.0026
  5. restricted access
  1. Rerites
  2. David Jhave Johnston
  3. pp. 107-115
  4. DOI: https://doi.org/10.1353/ccr.2018.0027
  5. restricted access
  1. Yes, Mike?, and: Blood and Tofu, and: Twin Cities
  2. Jonathan Cardew
  3. pp. 116-120
  4. DOI: https://doi.org/10.1353/ccr.2018.0028
  5. restricted access
  1. Sneaking Back Inside, and: We Live on a Foreign Planet This One
  2. Christopher Citro
  3. pp. 121-122
  4. DOI: https://doi.org/10.1353/ccr.2018.0029
  5. restricted access
  1. Anecdotal
  2. Elizabeth McLagan
  3. p. 123
  4. DOI: https://doi.org/10.1353/ccr.2018.0030
  5. restricted access
  1. 1676
  2. Rennie Ament
  3. pp. 126-127
  4. DOI: https://doi.org/10.1353/ccr.2018.0032
  5. restricted access
  1. Sugar Glass
  2. Brenna Womer
  3. pp. 128-130
  4. DOI: https://doi.org/10.1353/ccr.2018.0033
  5. restricted access
  1. Pastoral
  2. Virginia Konchan
  3. p. 131
  4. DOI: https://doi.org/10.1353/ccr.2018.0034
  5. restricted access
  1. Spider Lore
  2. Karen Weyant
  3. pp. 132-135
  4. DOI: https://doi.org/10.1353/ccr.2018.0035
  5. restricted access
  1. Kiru XXXIII, and: Kiru XXXIV
  2. Adam Day
  3. pp. 136-137
  4. DOI: https://doi.org/10.1353/ccr.2018.0036
  5. restricted access
  1. Birds of America, and: Night Poem
  2. Sonja Johanson
  3. pp. 138-139
  4. DOI: https://doi.org/10.1353/ccr.2018.0037
  5. restricted access
  1. For Your Flash Cards, Please Use a Paper Clip, and: 111116 and Counting
  2. Michael Jones
  3. pp. 140-141
  4. DOI: https://doi.org/10.1353/ccr.2018.0038
  5. restricted access
  1. Shade
  2. Spencer Smith
  3. p. 142
  4. DOI: https://doi.org/10.1353/ccr.2018.0039
  5. restricted access
  1. Panic
  2. Chelsea Whitton
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/ccr.2018.0040
  5. restricted access
  1. The Bone Orchard
  2. Camille-Yvette Welsch
  3. p. 145
  4. DOI: https://doi.org/10.1353/ccr.2018.0041
  5. restricted access
  1. Contributor Biographies
  2. pp. 146-152
  3. DOI: https://doi.org/10.1353/ccr.2018.0042
  4. restricted access