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In this Issue

Table of Contents

  1. From Photoplays to Movies: A Distant Reading of Cinema's Eventual Legitimation from Below
  2. Louis Pelletier
  3. pp. 1-34
  4. DOI: https://doi.org/10.2979/filmhistory.30.2.01
  5. restricted access
  1. Anna Karenina (1914): Reconstructing and Interpreting a Lost Russian Film
  2. Anna Kovalova
  3. pp. 35-78
  4. DOI: https://doi.org/10.2979/filmhistory.30.2.02
  5. restricted access
  1. Benjamin Chapin: "The Lincoln Man" and his Lincoln Cycle
  2. Richard Koszarski
  3. pp. 79-110
  4. DOI: https://doi.org/10.2979/filmhistory.30.2.03
  5. restricted access
  1. "After Hollywood and Its Ever-Blue Skies, How Beautiful Paris Looks!": Jacques Feyder between France and America, 1928–1934
  2. Barry Nevin
  3. pp. 111-140
  4. DOI: https://doi.org/10.2979/filmhistory.30.2.04
  5. restricted access
  1. Larry Ceballos as Busby Berkeley: The Credit Dispute in Footlight Parade and the Branding of "Buzz"
  2. Michael Larocco
  3. pp. 141-163
  4. DOI: https://doi.org/10.2979/filmhistory.30.2.05
  5. restricted access
  1. "You Can't Replace Gone with the Wind with Chūshingura": China Nights and the Problem of Japanese Film Policy in Occupied Shanghai
  2. Michael Raine
  3. pp. 164-198
  4. DOI: https://doi.org/10.2979/filmhistory.30.2.06
  5. restricted access
  1. Recent Books in Film History
  3. pp. 199-207
  4. restricted access