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In this Issue

Table of Contents

  1. A Note from the Editor
  2. Lisa S. Brenner
  3. pp. ix-xii
  4. DOI: https://doi.org/10.1353/tt.2018.0017
  5. restricted access
  1. Performing Urban Violence: Protest Theatre and (Semi-)Public Space in London and Cape Town
  2. Dominic Davies
  3. pp. 89-100
  4. DOI: https://doi.org/10.1353/tt.2018.0018
  5. restricted access
  1. Theatre and Protest in 1968: An Interview with Judith Malina, Co-founder of the Living Theatre
  2. Pierre-Antoine Pellerin
  3. pp. E1-E6
  4. DOI: https://doi.org/10.1353/tt.2018.0037
  5. restricted access
  1. Rural Theatrical Protest: A Note from Muskrat Falls
  2. Susanne Shawyer
  3. pp. E7-E13
  4. DOI: https://doi.org/10.1353/tt.2018.0038
  5. restricted access
  1. Combining Theatre of the Oppressed, Playback Theatre, and Autobiographical Theatre for Social Action in Higher Education
  2. Hannah Fox, Abigail Leeder
  3. pp. 101-111
  4. DOI: https://doi.org/10.1353/tt.2018.0019
  5. restricted access
  1. Animating Extinction, Performing Endurance: Feathers, Angels, and Indigenous Eco-Activism
  2. Joanna Mansbridge
  3. pp. 113-123
  4. DOI: https://doi.org/10.1353/tt.2018.0020
  5. restricted access
  1. (In)Decorous Abortion Debate: Michigan Legislators’ Protest Performance of The Vagina Monologues
  2. Ann Folino White
  3. pp. 125-138
  4. DOI: https://doi.org/10.1353/tt.2018.0021
  5. restricted access
  1. Spectacular Transgressions: Moving beyond Polarities
  2. John Fletcher, Sonja Arsham Kuftinec
  3. pp. 139-150
  4. DOI: https://doi.org/10.1353/tt.2018.0022
  5. restricted access
  1. The Undocu-Graduation (2015–17): The Performance of Citizenship and Anti-Ritual
  2. Christopher Goodson
  3. pp. 151-158
  4. DOI: https://doi.org/10.1353/tt.2018.0023
  5. restricted access
  1. “The Every 28 Hours Plays” and “After Orlando”: Networked, Rapid-Response, Collective Theatre Action—New Forms for a New Age
  2. Ann Elizabeth Armstrong, Joan Lipkin
  3. pp. 159-164
  4. DOI: https://doi.org/10.1353/tt.2018.0024
  5. restricted access
  1. “Every 28 Hours” in Oxford, Ohio: Preaching to the Choir—Recognizing the Communal Need to Engage in Difficult Dialogues about Race
  2. Durell M. Callier
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/tt.2018.0025
  5. restricted access
  1. “Every 28 Hours” at York College of Pennsylvania: Discovering How the Past Influences the Present
  2. Suzanne Delle
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/tt.2018.0026
  5. restricted access
  1. “Every 28 Hours” at Penn State University: Building Community through Performance and Dialogue
  2. William J. Doan
  3. pp. 175-176
  4. DOI: https://doi.org/10.1353/tt.2018.0028
  5. restricted access
  1. “After Orlando” in Southeast Kansas
  2. Ben Corbett
  3. pp. 177-179
  4. DOI: https://doi.org/10.1353/tt.2018.0029
  5. restricted access
  1. “After Orlando” in Ithaca, New York: Rethinking Efficacy in the Aftermath of the Election
  2. Caitlin Kane
  3. pp. 181-182
  4. DOI: https://doi.org/10.1353/tt.2018.0030
  5. restricted access
  1. “After Orlando” in the South Bronx: Creating Safe Space for Healing
  2. Natasha Lorca Yannacañedo
  3. pp. 183-184
  4. DOI: https://doi.org/10.1353/tt.2018.0031
  5. restricted access
  1. Remapping Performance: Common Ground, Uncommon Partners by Jan Cohen-Cruz (review)
  2. Kelly Howe
  3. pp. 185-186
  4. DOI: https://doi.org/10.1353/tt.2018.0032
  5. restricted access
  1. Performing Animality: Animals in Performance Practices ed. by Lourdes Orozco and Jennifer Parker-Starbuck (review)
  2. Hana Worthen
  3. pp. 186-187
  4. DOI: https://doi.org/10.1353/tt.2018.0033
  5. restricted access
  1. Stage Combat Arts: An Integrated Approach to Acting, Voice and Text Work + Video by Christopher DuVal (review)
  2. Macaela Carder Whitaker
  3. pp. 187-188
  4. DOI: https://doi.org/10.1353/tt.2018.0034
  5. restricted access
  1. Scenography Expanded: An Introduction to Contemporary Performance Design ed. by Joslin McKinney and Scott Palmer (review)
  2. Wes D. Pearce
  3. pp. 188-189
  4. DOI: https://doi.org/10.1353/tt.2018.0035
  5. restricted access
  1. Actor-Musicianship by Jeremy Harrison (review)
  2. Adam D. Howard
  3. pp. 189-190
  4. DOI: https://doi.org/10.1353/tt.2018.0036
  5. restricted access
  1. Mining the Past to Inform the Present: Two Artists Discuss Performance as Protest
  2. Kimani Fowlin, Megan J. Minturn
  3. pp. E15-E23
  4. DOI: https://doi.org/10.1353/tt.2018.0039
  5. restricted access