In this Issue
- 46 (Volume 16, Number 1), 2001
- Issue
- Special Issue: Marginality and Alterity in New European Cinemas, Part 2
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers to the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream.
published by
Duke University Pressviewing issue
46 (Volume 16, Number 1), 2001Editorial Board
Editors
Amelie Hastie, University of California, Santa Cruz
Lynne Joyrich, Brown University
Constance Penley, University of California, Santa Barbara
Sasha Torres, Johns Hopkins University
Patricia White, Swarthmore College
Sharon Willis, University of Rochester
Managing Editor
Jeanne Scheper
Interns
Emily Davis
Christy Cannariato
Ian Barker
Advisory Editors
Elizabeth Alexander
Rey Chow
Danae Clark
Julie D'Acci
Mary Ann Doane
Alexander Doty
Ana Lopez
Wahneema Lubiano
Meaghan Morris
Linda Orr
David Rodowick