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Table of Contents

  1. #MeToo
  2. Jennifer L. Airey
  3. pp. 7-13
  4. DOI: https://doi.org/10.1353/tsw.2018.0000
  5. restricted access
  1. Wollstonecraft's Widow: Understanding the Dead Husband's Gaze
  2. Laura Fairchild Brodie
  3. pp. 15-40
  4. DOI: https://doi.org/10.1353/tsw.2018.0001
  5. restricted access
  1. Species Thinking: Animals, Women, and Literary Tropes in Mary Wollstonecraft's A Vindication of the Rights of Woman
  2. Adela Ramos
  3. pp. 41-66
  4. DOI: https://doi.org/10.1353/tsw.2018.0002
  5. restricted access
  1. History Repeating: Mothers, Daughters, and Incest in Mary Robinson's Vancenza and The False Friend
  2. Stephanie Russo
  3. pp. 67-90
  4. DOI: https://doi.org/10.1353/tsw.2018.0003
  5. restricted access
  1. "Imperfect Notices": The 1820 Continental Journal of Mary Wordsworth
  2. E. R. Hammack
  3. pp. 91-110
  4. DOI: https://doi.org/10.1353/tsw.2018.0004
  5. restricted access
  1. Antebellum Womanhood and Taming Her "Wild Way": Pet Keeping, Mourning, and Social Indoctrination in Grace Greenwood's History of My Pets
  2. Elizabeth A. Boyle
  3. pp. 111-129
  4. DOI: https://doi.org/10.1353/tsw.2018.0005
  5. restricted access
  1. "The dance of the intelligence"?: Dancing Bodies in Mina Loy
  2. Alex Goody
  3. pp. 131-156
  4. DOI: https://doi.org/10.1353/tsw.2018.0006
  5. restricted access
  1. Responding to Patriarchy in India: Resistance and Complicity in Samina Ali's Madras on Rainy Days and Anita Desai's Fasting, Feasting
  2. Elizabeth Jackson
  3. pp. 157-171
  4. DOI: https://doi.org/10.1353/tsw.2018.0007
  5. restricted access
  1. Low-Spoon Teaching: Labor, Gender, and Self-Accommodation in Academia
  2. Sara N. Beam, Holly Clay-Buck
  3. pp. 173-180
  4. DOI: https://doi.org/10.1353/tsw.2018.0008
  5. restricted access
  1. Elizabeth Bishop's Theater of the Inevitable
  2. Heather Treseler
  3. pp. 181-193
  4. DOI: https://doi.org/10.1353/tsw.2018.0009
  5. restricted access
  1. Women's Poetry and Poetics in Late Imperial China: A Dialogic Engagement by Haihong Yang (review)
  2. Elena Suet-Ying Chiu
  3. pp. 195-196
  4. DOI: https://doi.org/10.1353/tsw.2018.0010
  5. restricted access
  1. Sin and Salvation in Early Modern France: Three Women's Stories by Marguerite d'Auge, Renée Burlamacchi (review)
  2. Jane Couchman
  3. pp. 197-199
  4. DOI: https://doi.org/10.1353/tsw.2018.0011
  5. restricted access
  1. Women's Prophetic Writings in Seventeenth-Century Britain by Carme Font (review)
  2. Claire McGann
  3. pp. 199-201
  4. DOI: https://doi.org/10.1353/tsw.2018.0012
  5. restricted access
  1. Questioning Nature: British Women's Scientific Writing and Literary Originality, 1750-1830 by Melissa Bailes (review)
  2. Lauren Cameron
  3. pp. 201-203
  4. DOI: https://doi.org/10.1353/tsw.2018.0013
  5. restricted access
  1. Byronic Heroes in Nineteenth-Century Women's Writing and Screen Adaptation by Sarah Wootton (review)
  2. Cheryl A. Wilson
  3. pp. 203-206
  4. DOI: https://doi.org/10.1353/tsw.2018.0014
  5. restricted access
  1. Sympathy, Madness, and Crime: How Four Nineteenth-Century Journalists Made the Newspaper Women's Business by Karen Roggenkamp, and: Women, Work and the Victorian Periodical: Living by the Press by Marianne Van Remoortel (review)
  2. Jennifer Phegley
  3. pp. 206-210
  4. DOI: https://doi.org/10.1353/tsw.2018.0015
  5. restricted access
  1. At Home in the World: Women Writers and Public Life, from Austen to the Presenta by Maria DiBattista and Deborah Epstein Nord, and: Extreme Domesticity: A View from the Margins by Susan Fraiman (review)
  2. Margaret Homans
  3. pp. 211-215
  4. DOI: https://doi.org/10.1353/tsw.2018.0016
  5. restricted access
  1. British Boarding Houses in Interwar Women's Literature: Alternative Domestic Spaces by Terri Mullholland (review)
  2. Bryony Randall
  3. pp. 215-217
  4. DOI: https://doi.org/10.1353/tsw.2018.0017
  5. restricted access
  1. Off to the Pictures: Cinema-Going, Women's Writing and Movie Culture in Interwar Britain by Lisa Stead (review)
  2. Laurel Harris
  3. pp. 217-220
  4. DOI: https://doi.org/10.1353/tsw.2018.0018
  5. restricted access
  1. Women Lovers, or The Third Woman by Natalie Clifford Barney (review)
  2. Lowry Martin II
  3. pp. 220-222
  4. DOI: https://doi.org/10.1353/tsw.2018.0019
  5. restricted access
  1. The Subversive Art of Zelda Fitzgerald by Deborah Pike (review)
  2. Christine Grogan
  3. pp. 223-225
  4. DOI: https://doi.org/10.1353/tsw.2018.0020
  5. restricted access
  1. Love and Narrative Form in Toni Morrison's Later Novels by Jean Wyatt (review)
  2. Evelyn Jaffe Schreiber
  3. pp. 225-228
  4. DOI: https://doi.org/10.1353/tsw.2018.0021
  5. restricted access
  1. The Fiction of Valerie Martin: An Introduction by Veronica Makowsky (review)
  2. Nancy Schoenberger
  3. pp. 228-230
  4. DOI: https://doi.org/10.1353/tsw.2018.0022
  5. restricted access
  1. Latin American Women and the Literature of Madness: Narratives at the Crossroads of Gender, Politics and the Mind by Elvira Sánchez-Blake and Laura Kanost, and: Intersections of Harm: Narratives of Latina Deviance and Defiance by Laura Halperin (review)
  2. María Rosa Olivera-Williams
  3. pp. 230-233
  4. DOI: https://doi.org/10.1353/tsw.2018.0023
  5. restricted access
  1. Call For Manuscripts: Academia in the Age of #MeToo
  3. p. 235
  4. DOI: https://doi.org/10.1353/tsw.2018.0024
  5. restricted access
  1. Books Received
  3. pp. 237-238
  4. DOI: https://doi.org/10.1353/tsw.2018.0025
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