1. Modern Art in Late Colonial Korea: A Research Experiment
  2. Joan Kee
  3. pp. 215-243
  4. DOI: 10.1353/mod.2018.0017
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  1. Literary, But Not Too Literary; Joyous, But Not Jazzy: Triad Magazine, Antipodean Modernity and the Middlebrow
  2. David Carter
  3. pp. 245-267
  4. DOI: 10.1353/mod.2018.0018
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  1. Surrealism in the Hallucinatory City
  2. Natalya Lusty
  3. pp. 269-302
  4. DOI: 10.1353/mod.2018.0019
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  1. The California Occult: Nathanael West, Theodor Adorno, and the Representation of Mass Cultural Desire
  2. Casey Shoop
  3. pp. 303-326
  4. DOI: 10.1353/mod.2018.0020
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  1. Labor-Movement Modernism: Proletarian Collectives between Kuhle Wampe and Working-Class Performance Culture
  2. Christoph Schaub
  3. pp. 327-348
  4. DOI: 10.1353/mod.2018.0021
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  1. Money, Painting, and the Generic Abidance of Elizabeth Bishop’s “Poem”
  2. Eric Lindstrom
  3. pp. 349-367
  4. DOI: 10.1353/mod.2018.0022
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  1. “Always Present”: T. S. Eliot and Re-cantation
  2. Tony Sharpe
  3. pp. 369-387
  4. DOI: 10.1353/mod.2018.0023
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  1. Herbert Read’s Egoist Roots
  2. Steven Quincey-Jones
  3. pp. 389-405
  4. DOI: 10.1353/mod.2018.0024
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Review Essay

  1. Writing the Real: Modernism in Korean Literature
  2. Dafna Zur
  3. pp. 407-414
  4. DOI: 10.1353/mod.2018.0025
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Book Reviews

  1. The Mobility of Modernism: Art and Criticism in 1920s Latin America by Harper Montgomery (review)
  2. Tatiana Flores
  3. pp. 419-421
  4. DOI: 10.1353/mod.2018.0027
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  1. Gender and the Rhetoric of Modernity in Spanish America, 1850–1910 by Lee Skinner (review)
  2. Brais D. Outes-León
  3. pp. 421-423
  4. DOI: 10.1353/mod.2018.0028
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  1. Blasphemous Modernism: The 20th-Century Word Made Flesh by Steve Pinkerton (review)
  2. Martin Lockerd
  3. pp. 423-425
  4. DOI: 10.1353/mod.2018.0029
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  1. The Contemporaneity of Modernism: Literature, Media, Culture ed. by Michael D’Arcy and Mathias Nilges (review)
  2. Michael LeMahieu
  3. pp. 425-427
  4. DOI: 10.1353/mod.2018.0030
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  1. Modernist Afterlives in Irish Literature and Culture ed. by Paige Reynolds (review)
  2. John Brannigan
  3. pp. 427-430
  4. DOI: 10.1353/mod.2018.0031
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  1. Poet-Critics and the Administration of Culture by Evan Kindley (review)
  2. Greg Barnhisel
  3. pp. 430-431
  4. DOI: 10.1353/mod.2018.0032
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  1. Power Lines: Electricity in American Life and Letters, 1882–1952 by Jennifer L. Lieberman (review)
  2. Laurel Harris
  3. pp. 432-434
  4. DOI: 10.1353/mod.2018.0033
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  1. The Parisian Avant-Garde in the Age of Cinema, 1900–1923 by Jennifer Wild (review)
  2. Kirsten Strom
  3. pp. 434-436
  4. DOI: 10.1353/mod.2018.0034
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