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In this Issue

Table of Contents

  1. Modern Art in Late Colonial Korea: A Research Experiment
  2. Joan Kee
  3. pp. 215-243
  4. DOI: https://doi.org/10.1353/mod.2018.0017
  5. restricted access
  1. Literary, But Not Too Literary; Joyous, But Not Jazzy: Triad Magazine, Antipodean Modernity and the Middlebrow
  2. David Carter
  3. pp. 245-267
  4. DOI: https://doi.org/10.1353/mod.2018.0018
  5. restricted access
  1. Surrealism in the Hallucinatory City
  2. Natalya Lusty
  3. pp. 269-302
  4. DOI: https://doi.org/10.1353/mod.2018.0019
  5. restricted access
  1. The California Occult: Nathanael West, Theodor Adorno, and the Representation of Mass Cultural Desire
  2. Casey Shoop
  3. pp. 303-326
  4. DOI: https://doi.org/10.1353/mod.2018.0020
  5. restricted access
  1. Labor-Movement Modernism: Proletarian Collectives between Kuhle Wampe and Working-Class Performance Culture
  2. Christoph Schaub
  3. pp. 327-348
  4. DOI: https://doi.org/10.1353/mod.2018.0021
  5. restricted access
  1. Money, Painting, and the Generic Abidance of Elizabeth Bishop’s “Poem”
  2. Eric Lindstrom
  3. pp. 349-367
  4. DOI: https://doi.org/10.1353/mod.2018.0022
  5. restricted access
  1. “Always Present”: T. S. Eliot and Re-cantation
  2. Tony Sharpe
  3. pp. 369-387
  4. DOI: https://doi.org/10.1353/mod.2018.0023
  5. restricted access
  1. Herbert Read’s Egoist Roots
  2. Steven Quincey-Jones
  3. pp. 389-405
  4. DOI: https://doi.org/10.1353/mod.2018.0024
  5. restricted access
  1. Writing the Real: Modernism in Korean Literature
  2. Dafna Zur
  3. pp. 407-414
  4. DOI: https://doi.org/10.1353/mod.2018.0025
  5. restricted access
  1. “Futurism in Latin America.” Special Issue, International Yearbook of Futurism Studies by Mariana Aguirre, Rosa Sarabia, Renée M. Silverman, and Ricardo Vasconcelos (review)
  2. Laura Moure Cecchini
  3. pp. 415-418
  4. DOI: https://doi.org/10.1353/mod.2018.0026
  5. restricted access
  1. The Mobility of Modernism: Art and Criticism in 1920s Latin America by Harper Montgomery (review)
  2. Tatiana Flores
  3. pp. 419-421
  4. DOI: https://doi.org/10.1353/mod.2018.0027
  5. restricted access
  1. Gender and the Rhetoric of Modernity in Spanish America, 1850–1910 by Lee Skinner (review)
  2. Brais D. Outes-León
  3. pp. 421-423
  4. DOI: https://doi.org/10.1353/mod.2018.0028
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  1. Blasphemous Modernism: The 20th-Century Word Made Flesh by Steve Pinkerton (review)
  2. Martin Lockerd
  3. pp. 423-425
  4. DOI: https://doi.org/10.1353/mod.2018.0029
  5. restricted access
  1. The Contemporaneity of Modernism: Literature, Media, Culture ed. by Michael D’Arcy and Mathias Nilges (review)
  2. Michael LeMahieu
  3. pp. 425-427
  4. DOI: https://doi.org/10.1353/mod.2018.0030
  5. restricted access
  1. Modernist Afterlives in Irish Literature and Culture ed. by Paige Reynolds (review)
  2. John Brannigan
  3. pp. 427-430
  4. DOI: https://doi.org/10.1353/mod.2018.0031
  5. restricted access
  1. Poet-Critics and the Administration of Culture by Evan Kindley (review)
  2. Greg Barnhisel
  3. pp. 430-431
  4. DOI: https://doi.org/10.1353/mod.2018.0032
  5. restricted access
  1. Power Lines: Electricity in American Life and Letters, 1882–1952 by Jennifer L. Lieberman (review)
  2. Laurel Harris
  3. pp. 432-434
  4. DOI: https://doi.org/10.1353/mod.2018.0033
  5. restricted access
  1. The Parisian Avant-Garde in the Age of Cinema, 1900–1923 by Jennifer Wild (review)
  2. Kirsten Strom
  3. pp. 434-436
  4. DOI: https://doi.org/10.1353/mod.2018.0034
  5. restricted access