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Table of Contents

  1. Contributors
  2. pp. iii-iv
  3. DOI: https://doi.org/10.1353/esc.1993.0050
  4. restricted access
  1. (Re)Producing Modernism: Three Works-in-Progress
  2. Jo-Ann Wallace
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/esc.1993.0037
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  1. Avant-Garde Sexualities: Eroticism in an Age of Barbarism
  2. Dianne Chisholm
  3. pp. 5-22
  4. DOI: https://doi.org/10.1353/esc.1993.0038
  5. restricted access
  1. “These People were some sort of solution”: The Necessary Crimes of American Modernism
  2. Susan J. Warwick
  3. pp. 23-33
  4. DOI: https://doi.org/10.1353/esc.1993.0039
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  1. Selling Modernism: Resisting Commodification, Commodifying Resistance
  2. Victor Li
  3. pp. 35-44
  4. DOI: https://doi.org/10.1353/esc.1993.0040
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  1. Resisting Postmodernism: The Parodic Mode of Angus Wilson’s No Laughing Matter
  2. Andrzej Gasiorek
  3. pp. 45-62
  4. DOI: https://doi.org/10.1353/esc.1993.0041
  5. restricted access
  1. English Studies in Canada, 1945–1991: A Handlist
  2. Heather Murray
  3. pp. 63-86
  4. DOI: https://doi.org/10.1353/esc.1993.0042
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  1. The Clerical Character in George Eliot’s Fiction by Oliver Lovesey (review)
  2. Frances Armstrong
  3. pp. 105-107
  4. DOI: https://doi.org/10.1353/esc.1993.0044
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  1. Studies on Canadian Literature: Introductory and Critical Essays ed. by Arnold E. Davidson (review)
  2. Mary Jane Edwards
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/esc.1993.0046
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  1. Hardy’s Fables of Integrity: Woman, Body, Text by Marjorie Garson (review)
  2. Juliet McMaster
  3. pp. 119-121
  4. DOI: https://doi.org/10.1353/esc.1993.0048
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  1. English Fiction of the Romantic Period 1789–1830 by Gary Kelly (review)
  2. Tracy Ware
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/esc.1993.0049
  5. restricted access