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Table of Contents

  1. Contributors
  2. pp. iii-iv
  3. DOI: https://doi.org/10.1353/esc.1984.0015
  4. restricted access
  1. The Old English Elegy as a Genre
  2. Anne L. Klinck
  3. pp. 129-140
  4. DOI: https://doi.org/10.1353/esc.1984.0016
  5. restricted access
  1. Pope, Berkeley, and the True Key to the Dunciad in Four Books
  2. Gregory Hollingshead
  3. pp. 141-155
  4. DOI: https://doi.org/10.1353/esc.1984.0017
  5. restricted access
  1. The Art of Reading in Pride and Prejudice
  2. Gary Kelly
  3. pp. 156-171
  4. DOI: https://doi.org/10.1353/esc.1984.0018
  5. restricted access
  1. Literature and Politics: A Disraelian View
  2. John Matthews
  3. pp. 172-187
  4. DOI: https://doi.org/10.1353/esc.1984.0019
  5. restricted access
  1. Nick Carraway and the Romance of Art
  2. K. G. Probert
  3. pp. 188-208
  4. DOI: https://doi.org/10.1353/esc.1984.0020
  5. restricted access
  1. “The Woman Who Rode Away”: D. H. Lawrence’s Cul-de-Sac
  2. Laurence Steven
  3. pp. 209-220
  4. DOI: https://doi.org/10.1353/esc.1984.0021
  5. restricted access
  1. Domestic and Heroic in Tennyson’s Poetry by Donald S. Hair (review)
  2. David Staines
  3. pp. 226-228
  4. DOI: https://doi.org/10.1353/esc.1984.0023
  5. restricted access
  1. Thomas Hardy: A Biography by Michael Millgate (review)
  2. Michael Steig
  3. pp. 229-232
  4. DOI: https://doi.org/10.1353/esc.1984.0024
  5. restricted access