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Table of Contents

  1. Contributors
  2. pp. iii-iv
  3. DOI: https://doi.org/10.1353/esc.1982.0000
  4. restricted access
  1. “Growing and Groning”: Herbert’s “Affliction” (I)
  2. Daniel W. Doerksen
  3. pp. 1-8
  4. DOI: https://doi.org/10.1353/esc.1982.0001
  5. restricted access
  1. An Arrant Ramp and a Tomrigg: Pope’s Belinda
  2. Gary A. Boire
  3. pp. 9-22
  4. DOI: https://doi.org/10.1353/esc.1982.0002
  5. restricted access
  1. Books and Drowned Men: Unconscious Mourning in Book V of The Prelude
  2. Lionel Morton
  3. pp. 23-37
  4. DOI: https://doi.org/10.1353/esc.1982.0003
  5. restricted access
  1. Godwin’s Fleetwood and the Hero of Meredith’s The Amazing Marriage
  2. Elizabeth M. Shore
  3. pp. 38-48
  4. DOI: https://doi.org/10.1353/esc.1982.0004
  5. restricted access
  1. “Literary Petty Larceny”: Plagiarism in Oscar Wilde’s Early Poetry
  2. Averil Gardner
  3. pp. 49-61
  4. DOI: https://doi.org/10.1353/esc.1982.0005
  5. restricted access
  1. Critical Responsibility in Henry James’s “The Coxon Fund” and “The Birthplace”
  2. W. R. Martin, Warren U. Ober
  3. pp. 62-75
  4. DOI: https://doi.org/10.1353/esc.1982.0006
  5. restricted access
  1. Nathanael West’s “New Art Form”: Metamorphoses of Detective Fiction in Miss Lonelyhearts
  2. John Keyes
  3. pp. 76-86
  4. DOI: https://doi.org/10.1353/esc.1982.0007
  5. restricted access
  1. Sinclair Ross by Lorraine McMullen (review)
  2. Nelson C. Smith
  3. pp. 100-103
  4. DOI: https://doi.org/10.1353/esc.1982.0011
  5. restricted access
  1. Contemporary Quebec Criticism ed. by Larry Shouldice (review)
  2. Jack Warwick
  3. pp. 117-122
  4. DOI: https://doi.org/10.1353/esc.1982.0014
  5. restricted access