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Table of Contents

  1. Contributors
  2. pp. iii-iv
  3. DOI: https://doi.org/10.1353/esc.1978.0001
  4. restricted access
  1. “Heavenly Words”: Marlowe’s Faustus as a Renaissance Magician
  2. William Blackburn
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/esc.1978.0002
  5. restricted access
  1. Jacobite and Gentleman: Defoe’s Use of Jacobitism in Colonel Jack
  2. David Blewett
  3. pp. 15-24
  4. DOI: https://doi.org/10.1353/esc.1978.0003
  5. restricted access
  1. Romance and Reality in The Eve of St. Agnes
  2. Constance Rooke
  3. pp. 25-40
  4. DOI: https://doi.org/10.1353/esc.1978.0004
  5. restricted access
  1. Arthur’s Misuse of the Imagination: Sentimental Benevolence and Wordsworthian Realism in Adam Bede
  2. Mason Harris
  3. pp. 41-59
  4. DOI: https://doi.org/10.1353/esc.1978.0005
  5. restricted access
  1. Passion in The Good Soldier: Ford’s Tale and Its Teller Re-Examined
  2. Rex Bishop
  3. pp. 60-68
  4. DOI: https://doi.org/10.1353/esc.1978.0006
  5. restricted access
  1. Traditional Comedy and the Comic Mask in Kingsley Amis’s Lucky Jim
  2. Bruce Stovel
  3. pp. 69-80
  4. DOI: https://doi.org/10.1353/esc.1978.0007
  5. restricted access
  1. The ‘Real World(s)’ of Fiction: The French Lieutenant’s Woman
  2. Linda Hutcheon
  3. pp. 81-94
  4. DOI: https://doi.org/10.1353/esc.1978.0008
  5. restricted access
  1. Heinrich Heine, the Virgin, and the Hummingbird: Fifth Business – a Novel and Its Subconscious
  2. F.L. Radford
  3. pp. 95-110
  4. DOI: https://doi.org/10.1353/esc.1978.0009
  5. restricted access
  1. The Waves: the two holograph drafts by Virginia Woolf (review)
  2. John Stedmond
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/esc.1978.0011
  5. restricted access
  1. The Marriage of Contraries: Bernard Shaw’s Middle Plays by J.L. Wisenthal (review)
  2. Ann Saddlemyer
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/esc.1978.0000
  5. restricted access