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Table of Contents

  1. Contributors
  3. pp. iii-iv
  4. DOI: https://doi.org/10.1353/esc.1980.0014
  5. restricted access
  1. Burlesque in Marvell’s The Rehearsal Transpros’d
  2. Heather Campbell
  3. pp. 263-276
  4. DOI: https://doi.org/10.1353/esc.1980.0015
  5. restricted access
  1. “Substance and Shadow”: Conventions of the Marriage Market in Northanger Abbey
  2. Marian Fowler
  3. pp. 277-291
  4. DOI: https://doi.org/10.1353/esc.1980.0016
  5. restricted access
  1. Control and Freedom: Swinburne’s Novels
  2. Margot Northey
  3. pp. 292-306
  4. DOI: https://doi.org/10.1353/esc.1980.0017
  5. restricted access
  1. Trees, Tombs, and Tape-Recorders: The Emblematic Tradition and the Theatre of Samuel Beckett
  2. Mary Neill
  3. pp. 307-322
  4. DOI: https://doi.org/10.1353/esc.1980.0018
  5. restricted access
  1. Loneliness Clarifies: A Study of the Longer Poems of Philip Larkin
  2. Mary Ford
  3. pp. 323-332
  4. DOI: https://doi.org/10.1353/esc.1980.0019
  5. restricted access
  1. Faulkner’s The Marble Faun: Dependence and Independence
  2. Martin Kreiswirth
  3. pp. 333-344
  4. DOI: https://doi.org/10.1353/esc.1980.0020
  5. restricted access
  1. Creighton’s John A. MacDonald: History as Heroic Romance
  2. T. D. Maclulich
  3. pp. 345-361
  4. DOI: https://doi.org/10.1353/esc.1980.0021
  5. restricted access
  1. The Elizabethan Theatre VI: Papers given at the International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1975 ed. by George Hibbard (review)
  2. Gary F. Waller
  3. pp. 362-369
  4. DOI: https://doi.org/10.1353/esc.1980.0022
  5. restricted access
  1. The Crafting of “Absalom and Achitophel”: Dryden’s “Pen for a Party” by W. K. Thomas (review)
  2. George Falle
  3. pp. 369-375
  4. DOI: https://doi.org/10.1353/esc.1980.0023
  5. restricted access
  1. George Meredith: An Annotated Bibliography of Criticism 1925–1975 by John Charles Olmstead, and: The Reputation of Trollope: An Annotated Bibliography 1925–1975 by John Charles Olmsted and Jeffrey Egan Welch (review)
  2. Michael Collie
  3. pp. 375-378
  4. DOI: https://doi.org/10.1353/esc.1980.0024
  5. restricted access
  1. Ezra Pound and Music: The Complete Criticism ed. by R. Murray Schafer (review)
  2. Leon Surette
  3. pp. 378-380
  4. DOI: https://doi.org/10.1353/esc.1980.0025
  5. restricted access
  1. Morley Callaghan by Patricia Morley, and: Robertson Davies by Judith Skelton Grant (review)
  2. Elspeth Cameron
  3. pp. 380-383
  4. DOI: https://doi.org/10.1353/esc.1980.0026
  5. restricted access