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Table of Contents

  1. Contributors
  3. pp. 245-247
  4. DOI: https://doi.org/10.1353/esc.2001.0034
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  1. Women and Texts: Part One
  2. Mary Jane Edwards
  3. p. 251
  4. DOI: https://doi.org/10.1353/esc.2001.0035
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  1. The Politics of Genre in Early Women’s Writing: The Case of Lady Mary Wroth
  2. Christina Luckyj
  3. pp. 253-282
  4. DOI: https://doi.org/10.1353/esc.2001.0036
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  1. The Diarist as Novelist: Narrative Strategies in the Journals and Letters of Frances Burney
  2. Lorna J. Clark
  3. pp. 283-302
  4. DOI: https://doi.org/10.1353/esc.2001.0037
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  1. “She must be a very good novelist”: Rereading E. H. Young (1880–1949)
  2. Kathy Mezei, Chiara Briganti
  3. pp. 303-331
  4. DOI: https://doi.org/10.1353/esc.2001.0038
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  1. Success ‘Well-earned: Adele ‘Wiseman’s The Sacrifice
  2. Ruth Panofsky
  3. pp. 333-351
  4. DOI: https://doi.org/10.1353/esc.2001.0039
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  1. Discovering the Subject in Renaissance England by Elizabeth Hanson (review)
  2. Anthony B. Dawson
  3. pp. 353-358
  4. DOI: https://doi.org/10.1353/esc.2001.0040
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  1. Honest Sins: Georgian Libertinism and The Plays and Novels of Henry Fielding by Tiffany Potter (review)
  2. Robert James Merrett
  3. pp. 358-361
  4. DOI: https://doi.org/10.1353/esc.2001.0041
  5. restricted access
  1. Empowering the Feminine: The Narratives of Mary Robinson, Jane West, and Amelia Opie, 1796–1812 by Eleanor Ty (review)
  2. Pam Perkins
  3. pp. 362-365
  4. DOI: https://doi.org/10.1353/esc.2001.0042
  5. restricted access
  1. Romanticism, History, and the Possibilities of Genre: Re-forming Literature, 1789–1837 ed. by Tilottama Rajan and Julia M. Wright (review)
  2. Robert K. Lapp
  3. pp. 365-372
  4. DOI: https://doi.org/10.1353/esc.2001.0043
  5. restricted access
  1. Gender, Genre, and Victorian Historical Writing by Rohan Amanda Maitzen (review)
  2. Ian Dennis
  3. pp. 372-375
  4. DOI: https://doi.org/10.1353/esc.2001.0044
  5. restricted access
  1. Solitude versus Solidarity in the Novels of Joseph Conrad: Political and Epistemological Implications of Narrative Innovation by Ursula Lord (review)
  2. Frederick M. Holmes
  3. pp. 375-378
  4. DOI: https://doi.org/10.1353/esc.2001.0045
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  1. Scenes of Shame: Psychoanalysis, Shame, and Writing by Joseph Adamson and Hilary Clark (review)
  2. Eric Savoy
  3. pp. 379-385
  4. DOI: https://doi.org/10.1353/esc.2001.0046
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  1. Toni Morrison by Jill Matus (review)
  2. Karen Kebarle
  3. pp. 385-389
  4. DOI: https://doi.org/10.1353/esc.2001.0047
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  1. The Picturesque and the Sublime: A Poetics of the Canadian Landscape by Susan Glickman (review)
  2. Paul Milton
  3. pp. 390-392
  4. DOI: https://doi.org/10.1353/esc.2001.0048
  5. restricted access
  1. Making it Home: Place in Canadian Prairie Literature by Deborah Keahey (review)
  2. Dick Harrison
  3. pp. 393-396
  4. DOI: https://doi.org/10.1353/esc.2001.0049
  5. restricted access
  1. Alice Munro by Coral Ann Howells (review)
  2. Magdalene Redekop
  3. pp. 396-398
  4. DOI: https://doi.org/10.1353/esc.2001.0050
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  1. An Anthology of Canadian Native Literature in English ed. by Daniel David Moses and Terry Goldie (review)
  2. Laura Groening
  3. pp. 399-403
  4. DOI: https://doi.org/10.1353/esc.2001.0051
  5. restricted access