1. Contributors
  2. pp. i-ii
  3. DOI: 10.1353/sew.2018.0036
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  1. On an Overgrown Path
  2. Simon Armitage
  3. p. 183
  4. DOI: 10.1353/sew.2018.0020
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  1. Family Physics
  2. Catherine Lacey
  3. pp. 184-209
  4. DOI: 10.1353/sew.2018.0021
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  1. When I Say Jesus Was My Boyfriend
  2. Erin Adair-Hodges
  3. pp. 210-214
  4. DOI: 10.1353/sew.2018.0022
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  1. King Me
  2. Austin Smith
  3. pp. 215-226
  4. DOI: 10.1353/sew.2018.0023
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  1. The Other Side, and: Blank Page Gets To Work, and: Aubade, and: Blank Page As Harbour
  2. Glyn Maxwell
  3. pp. 227-231
  4. DOI: 10.1353/sew.2018.0024
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  1. The Knife-Thrower Cannot Practice His Art with Pillows and Chocolates, and: Where the Accident Begins, and: The Same River
  2. Jeff Mock
  3. pp. 232-235
  4. DOI: 10.1353/sew.2018.0025
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  1. The Minister of Ministrations
  2. Monica Black
  3. pp. 236-270
  4. DOI: 10.1353/sew.2018.0026
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  1. Velocities, and: The Birth of Tragedy
  2. Ryan Wilson
  3. pp. 271-272
  4. DOI: 10.1353/sew.2018.0027
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  1. The Anatomy of Color
  2. Kelsey Ann Kerr
  3. p. 273
  4. DOI: 10.1353/sew.2018.0028
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  1. Mermaid River
  2. Alexia Arthurs
  3. pp. 274-293
  4. DOI: 10.1353/sew.2018.0029
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  1. Argument
  2. Aaron Hauptman
  3. p. 294
  4. DOI: 10.1353/sew.2018.0030
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  1. The Durian, King of Fruits, and: Don’t Go Expecting, and: Evening Primrose
  2. J. Allyn Rosser
  3. pp. 295-299
  4. DOI: 10.1353/sew.2018.0031
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  1. Beautiful Young Women
  2. Christina Wood Martinez
  3. pp. 300-321
  4. DOI: 10.1353/sew.2018.0032
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  1. On the Transit of Toledo
  2. Joshua Cohen
  3. pp. 322-334
  4. DOI: 10.1353/sew.2018.0033
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  1. On the Fourth Day, and: Home on It
  2. Heather McHugh
  3. pp. 335-337
  4. DOI: 10.1353/sew.2018.0034
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  1. The Autobiography of My Novel
  2. Alexander Chee
  3. pp. 338-361
  4. DOI: 10.1353/sew.2018.0035
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