1. A Note from the Editor
  2. Lisa S. Brenner
  3. pp. ix-xi
  4. DOI: 10.1353/tt.2018.0000
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  1. 2017 ATHE Presidential Address
  2. Harvey Young
  3. pp. 1-4
  4. DOI: 10.1353/tt.2018.0001
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  1. The Open Forum of ATHE
  2. Patricia Ybarra
  3. pp. 5-6
  4. DOI: 10.1353/tt.2018.0002
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  1. Freedom Singer: Modeling Performative Witnessing in Documentary Theatre
  2. Lisa Aikman
  3. pp. 15-26
  4. DOI: 10.1353/tt.2018.0004
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  1. “A Home on the Island”: Interbody Performance as a Method to Move beyond Resentment
  2. Peilin Liang
  3. pp. 27-41
  4. DOI: 10.1353/tt.2018.0005
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  1. One Summer, Three Hamlets: A Practical Guide to Flow Fight Direction
  2. Danielle Rosvally
  3. pp. 53-59
  4. DOI: 10.1353/tt.2018.0007
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  1. Guest Editor’s Introduction: Failing Better
  2. Henry Bial
  3. pp. 61-62
  4. DOI: 10.1353/tt.2018.0008
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  1. The Sign Language Interpreted Performance: A Failure of Access Provision for Deaf Spectators
  2. Michael Richardson
  3. pp. 63-74
  4. DOI: 10.1353/tt.2018.0009
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  1. The Many Middling Failures of Miss Virginia Calhoun
  2. Brian Eugenio Herrera
  3. pp. 75-81
  4. DOI: 10.1353/tt.2018.0010
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  1. World Theories of Theatre by Glenn A. Odom (review)
  2. John Fletcher
  3. pp. 83-84
  4. DOI: 10.1353/tt.2018.0011
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  1. Digital Costume Design and Collaboration: Applications in Academia, Theatre, and Film by Rafael Jaen (review)
  2. La Beene
  3. pp. 84-85
  4. DOI: 10.1353/tt.2018.0012
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  1. Rhythm in Acting and Performance: Embodied Approaches and Understandings by Eilon Morris (review)
  2. J. Ariadne Calvano
  3. pp. 85-86
  4. DOI: 10.1353/tt.2018.0013
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  1. Playwriting: A Writers’ and Artists’ Companion by Fraser Grace, Clare Bayley (review)
  2. Kristin Perkins
  3. pp. 86-87
  4. DOI: 10.1353/tt.2018.0014
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  1. Annotating Vegas: Mapping Performance Interventions at ATHE 2017
  2. Michelle Liu Carriger, Eero Laine
  3. pp. E-1-E-3
  4. DOI: 10.1353/tt.2018.0015
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