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Table of Contents

  1. From the Editor
  2. Kathy Foley
  3. pp. v-vi
  4. DOI: https://doi.org/10.1353/atj.2018.0008
  5. restricted access
  1. Errata
  2. p. vi
  3. DOI: https://doi.org/10.1353/atj.2018.0009
  4. restricted access
  1. Shank's Mare: A Transcultural Journey of Puppetry Creation and Performance
  2. Claudia Orenstein
  3. pp. 1-26
  4. DOI: https://doi.org/10.1353/atj.2018.0010
  5. restricted access
  1. Intercultural Theatre and Community in Southeast Asia: The ASEAN Puppet Exchange in Jakarta
  2. Jennifer Goodlander
  3. pp. 27-52
  4. DOI: https://doi.org/10.1353/atj.2018.0011
  5. restricted access
  1. The Heritage of Wang Piying Troupe: Shadow Puppetry in North Sichuan
  2. Tang Rui
  3. pp. 53-69
  4. DOI: https://doi.org/10.1353/atj.2018.0012
  5. restricted access
  1. Tradition and Post-Tradition: Four Contemporary Indian Puppeteers
  2. Karen Smith, Kathy Foley
  3. pp. 70-84
  4. DOI: https://doi.org/10.1353/atj.2018.0013
  5. restricted access
  1. Ancestral Deliverance and Puppet Performance: Mulian Rescues his Mother and Bima Goes to Heaven
  2. I Nyoman Sedana, Kathy Foley
  3. pp. 85-98
  4. DOI: https://doi.org/10.1353/atj.2018.0014
  5. restricted access
  1. Reviving Wayang Orang Sriwedari in Surakarta: Tourism-Oriented Performance
  2. Sri Rochana Widyastutieningrum
  3. pp. 100-111
  4. DOI: https://doi.org/10.1353/atj.2018.0015
  5. restricted access
  1. Semarak Bangsawan: The Invigoration Project in Malaysia
  2. Marlenny Deneerwan, Sabzali Musa Kahn
  3. pp. 154-173
  4. DOI: https://doi.org/10.1353/atj.2018.0018
  5. restricted access
  1. Sutra dir. by Sidi Larbi Cherkaoui (review)
  2. Sissi Liu
  3. pp. 192-199
  4. DOI: https://doi.org/10.1353/atj.2018.0020
  5. restricted access
  1. The Water Station by Ōta Shōgo (review)
  2. Mari Boyd
  3. pp. 199-204
  4. DOI: https://doi.org/10.1353/atj.2018.0021
  5. restricted access
  1. Blue Moon Over Memphis by Deborah Brevoort (review)
  2. Shelley Fenno Quinn
  3. pp. 204-210
  4. DOI: https://doi.org/10.1353/atj.2018.0022
  5. restricted access
  1. Night on the Milky Way Train dir. by Nouso Masao (review)
  2. Wen-Ling Lin
  3. pp. 211-215
  4. DOI: https://doi.org/10.1353/atj.2018.0023
  5. restricted access
  1. Chinese Dance—In the Vast Land and Beyond by Shih-Ming Li Chang and Lynn E. Frederiksen (review)
  2. Fangfei Miao
  3. pp. 227-229
  4. DOI: https://doi.org/10.1353/atj.2018.0026
  5. restricted access
  1. Marionette Plays From Northern China by Fan Pen Li Chen (review)
  2. Annie Katsura Rollins
  3. pp. 229-232
  4. DOI: https://doi.org/10.1353/atj.2018.0027
  5. restricted access
  1. Staging Chinese Revolution: Theater, Film, and The Afterlives of Propaganda by Xiaomei Chen (review)
  2. Xing Fan
  3. pp. 233-237
  4. DOI: https://doi.org/10.1353/atj.2018.0028
  5. restricted access
  1. 1616: Shakespeare and Tang Xianzu's China eds. by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang (review)
  2. Alexa Alice Joubin
  3. pp. 241-243
  4. DOI: https://doi.org/10.1353/atj.2018.0030
  5. restricted access
  1. Le Théâtre Ache Lhamo, Jeux et Enjeux D'Une Tradition Tibétaine by Isabelle Henrion-Dourcy (review)
  2. Jacques Pimpaneau
  3. pp. 244-247
  4. DOI: https://doi.org/10.1353/atj.2018.0031
  5. restricted access
  1. So Near, Yet So Far: Badal Sircar's Third Theatre by Manujendra Kundu (review)
  2. Jashodhara Sen
  3. pp. 248-249
  4. DOI: https://doi.org/10.1353/atj.2018.0000
  5. restricted access
  1. Islam in Performance: Contemporary Plays From South Asia ed. by Ashis Sengupta (review)
  2. Claire Pamment
  3. pp. 250-253
  4. DOI: https://doi.org/10.1353/atj.2018.0001
  5. restricted access
  1. Tsubouchi Shōyō's Shinkyoku Urashima and the Wagnerian Moment in Meiji Japan by Daniel Gallimore (review)
  2. Aragorn Quinn
  3. pp. 258-260
  4. DOI: https://doi.org/10.1353/atj.2018.0003
  5. restricted access
  1. Propaganda Performed: Kamishibai in Japan's Fifteen-Year War by Sharalyn Orbaugh (review)
  2. David Jortner
  3. pp. 261-263
  4. DOI: https://doi.org/10.1353/atj.2018.0004
  5. restricted access
  1. Learning to Kneel: Noh, Modernism, and Journeys in Teaching by Carrie J. Preston (review)
  2. Carol Fisher Sorgenfrei
  3. pp. 263-267
  4. DOI: https://doi.org/10.1353/atj.2018.0005
  5. restricted access
  1. A History of Japanese Theatre ed. by Jonah Salz (review)
  2. Peter Eckersall
  3. pp. 267-270
  4. DOI: https://doi.org/10.1353/atj.2018.0006
  5. restricted access
  1. China Reinterpreted: Staging the Other in Muromachi Noh Theatre by Leo Shingchi Yip (review)
  2. Shinko Kagaya
  3. pp. 270-272
  4. DOI: https://doi.org/10.1353/atj.2018.0007
  5. restricted access