1. From the Editor
  2. Kathy Foley
  3. pp. v-vi
  4. DOI: 10.1353/atj.2018.0008
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  1. Errata
  2. p. vi
  3. DOI: 10.1353/atj.2018.0009
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  1. Shank's Mare: A Transcultural Journey of Puppetry Creation and Performance
  2. Claudia Orenstein
  3. pp. 1-26
  4. DOI: 10.1353/atj.2018.0010
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  1. Intercultural Theatre and Community in Southeast Asia: The ASEAN Puppet Exchange in Jakarta
  2. Jennifer Goodlander
  3. pp. 27-52
  4. DOI: 10.1353/atj.2018.0011
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  1. The Heritage of Wang Piying Troupe: Shadow Puppetry in North Sichuan
  2. Tang Rui
  3. pp. 53-69
  4. DOI: 10.1353/atj.2018.0012
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  1. Tradition and Post-Tradition: Four Contemporary Indian Puppeteers
  2. Karen Smith, Kathy Foley
  3. pp. 70-84
  4. DOI: 10.1353/atj.2018.0013
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  1. Ancestral Deliverance and Puppet Performance: Mulian Rescues his Mother and Bima Goes to Heaven
  2. I Nyoman Sedana, Kathy Foley
  3. pp. 85-98
  4. DOI: 10.1353/atj.2018.0014
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  1. Reviving Wayang Orang Sriwedari in Surakarta: Tourism-Oriented Performance
  2. Sri Rochana Widyastutieningrum
  3. pp. 100-111
  4. DOI: 10.1353/atj.2018.0015
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  1. Conflicted Loyalties in "English Kabuki": Portland's English Kabuki Revenge of the 47 Samurai (Kanadehon Chūshingura)
  2. Jonah Salz
  3. pp. 133-153
  4. DOI: 10.1353/atj.2018.0017
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  1. Semarak Bangsawan: The Invigoration Project in Malaysia
  2. Marlenny Deneerwan, Sabzali Musa Kahn
  3. pp. 154-173
  4. DOI: 10.1353/atj.2018.0018
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  1. The Palo-Palo in Batanes, Philippines: From Colonial Legacy to Performance of Solidarity
  2. Sir Anril P. Tiatco, Madilene B. Landicho, Jem R. Javier
  3. pp. 174-191
  4. DOI: 10.1353/atj.2018.0019
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  1. Sutra dir. by Sidi Larbi Cherkaoui (review)
  2. Sissi Liu
  3. pp. 192-199
  4. DOI: 10.1353/atj.2018.0020
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  1. The Water Station by Ōta Shōgo (review)
  2. Mari Boyd
  3. pp. 199-204
  4. DOI: 10.1353/atj.2018.0021
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  1. Blue Moon Over Memphis by Deborah Brevoort (review)
  2. Shelley Fenno Quinn
  3. pp. 204-210
  4. DOI: 10.1353/atj.2018.0022
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  1. Night on the Milky Way Train dir. by Nouso Masao (review)
  2. Wen-Ling Lin
  3. pp. 211-215
  4. DOI: 10.1353/atj.2018.0023
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  1. Chinese Dance: National Movements in a Revolutionary Age, 1945–1965 by Emily Wilcox and Liangyu Fu (review)
  2. Tarryn Li-Min Chun
  3. pp. 222-226
  4. DOI: 10.1353/atj.2018.0025
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  1. Chinese Dance—In the Vast Land and Beyond by Shih-Ming Li Chang and Lynn E. Frederiksen (review)
  2. Fangfei Miao
  3. pp. 227-229
  4. DOI: 10.1353/atj.2018.0026
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  1. Marionette Plays From Northern China by Fan Pen Li Chen (review)
  2. Annie Katsura Rollins
  3. pp. 229-232
  4. DOI: 10.1353/atj.2018.0027
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  1. Staging Chinese Revolution: Theater, Film, and The Afterlives of Propaganda by Xiaomei Chen (review)
  2. Xing Fan
  3. pp. 233-237
  4. DOI: 10.1353/atj.2018.0028
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  1. Dunhuang Performing Arts: The Construction and Transmission Of "China-Scape" in the Global Context) by Lanlan Kuang (review)
  2. Emily Wilcox
  3. pp. 237-240
  4. DOI: 10.1353/atj.2018.0029
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  1. 1616: Shakespeare and Tang Xianzu's China eds. by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang (review)
  2. Alexa Alice Joubin
  3. pp. 241-243
  4. DOI: 10.1353/atj.2018.0030
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  1. Le Théâtre Ache Lhamo, Jeux et Enjeux D'Une Tradition Tibétaine by Isabelle Henrion-Dourcy (review)
  2. Jacques Pimpaneau
  3. pp. 244-247
  4. DOI: 10.1353/atj.2018.0031
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  1. So Near, Yet So Far: Badal Sircar's Third Theatre by Manujendra Kundu (review)
  2. Jashodhara Sen
  3. pp. 248-249
  4. DOI: 10.1353/atj.2018.0000
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  1. Islam in Performance: Contemporary Plays From South Asia ed. by Ashis Sengupta (review)
  2. Claire Pamment
  3. pp. 250-253
  4. DOI: 10.1353/atj.2018.0001
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  1. The Encoded Cirebon Mask: Materiality, Flow, and Meaning Along Java's Islamic Northwest Coast by Laurie Margot Ross (review)
  2. Henry Spiller
  3. pp. 253-257
  4. DOI: 10.1353/atj.2018.0002
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  1. Tsubouchi Shōyō's Shinkyoku Urashima and the Wagnerian Moment in Meiji Japan by Daniel Gallimore (review)
  2. Aragorn Quinn
  3. pp. 258-260
  4. DOI: 10.1353/atj.2018.0003
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  1. Propaganda Performed: Kamishibai in Japan's Fifteen-Year War by Sharalyn Orbaugh (review)
  2. David Jortner
  3. pp. 261-263
  4. DOI: 10.1353/atj.2018.0004
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  1. Learning to Kneel: Noh, Modernism, and Journeys in Teaching by Carrie J. Preston (review)
  2. Carol Fisher Sorgenfrei
  3. pp. 263-267
  4. DOI: 10.1353/atj.2018.0005
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  1. A History of Japanese Theatre ed. by Jonah Salz (review)
  2. Peter Eckersall
  3. pp. 267-270
  4. DOI: 10.1353/atj.2018.0006
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  1. China Reinterpreted: Staging the Other in Muromachi Noh Theatre by Leo Shingchi Yip (review)
  2. Shinko Kagaya
  3. pp. 270-272
  4. DOI: 10.1353/atj.2018.0007
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