restricted access   Volume 61, Number 1, Spring 2018

Table of Contents


p. III


Toward a Historicism of Setting: Hamilton and American History

pp. 1-18

Transnational Perspectives of the Middle East in Tony Kushner's Homebody/Kabul and Naomi Wallace's The Fever Chart

pp. 20-39

"Something is taking its course": Endgame's Frustrated Musicality and the Evolution of Beckett's Late Dramatic Style

pp. 41-61

History and the Poetics of Relation: The Early Plays of Anguilla's Colonel Harrigan

pp. 62-81

Envisioning Queer Liberation: The Performance of Communal Visibility in Doric Wilson's Street Theater

pp. 82-105


Experiments in Democracy: Interracial and Cross-Cultural Exchange in American Theatre, 1912–1945 ed. by Cheryl Black and Jonathan Shandell (review)

pp. 106-108

Tennessee Williams and Italy: A Transcultural Perspective by Alessandro Clericuzio (review)

pp. 108-110

Political Acts: Women in Northern Irish Theatre, 1921–2012 by Fiona Coleman Coffey (review)

pp. 111-113

Writing and the Modern Stage: Theater beyond Drama by Julia Jarcho (review)

pp. 113-115

Clowning as Social Performance in Colombia: Ridicule and Resistance by Barnaby King (review)

pp. 115-118

Drop Dead: Performance in Crisis, 1970s New York by Hillary Miller (review)

pp. 118-120

Reader in Comedy: An Anthology of Theory and Criticism ed. by Magda Romanska and Alan Ackerman (review)

pp. 120-123

Antonin Artaud by David A. Shafer (review)

pp. 123-125