1. Note
  3. p. III
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  1. Toward a Historicism of Setting: Hamilton and American History
  2. Philip Goldfarb Styrt
  3. pp. 1-18
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  1. Transnational Perspectives of the Middle East in Tony Kushner's Homebody/Kabul and Naomi Wallace's The Fever Chart
  2. Marwa Ramadan
  3. pp. 20-39
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  1. "Something is taking its course": Endgame's Frustrated Musicality and the Evolution of Beckett's Late Dramatic Style
  2. Courtney Massie
  3. pp. 41-61
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  1. History and the Poetics of Relation: The Early Plays of Anguilla's Colonel Harrigan
  2. Raymond Saraceni
  3. pp. 62-81
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  1. Envisioning Queer Liberation: The Performance of Communal Visibility in Doric Wilson's Street Theater
  2. Jordan Schildcrout
  3. pp. 82-105
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  1. Experiments in Democracy: Interracial and Cross-Cultural Exchange in American Theatre, 1912–1945 ed. by Cheryl Black and Jonathan Shandell (review)
  2. Adrienne C. Macki
  3. pp. 106-108
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  1. Tennessee Williams and Italy: A Transcultural Perspective by Alessandro Clericuzio (review)
  2. S.E. Gontarski
  3. pp. 108-110
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  1. Political Acts: Women in Northern Irish Theatre, 1921–2012 by Fiona Coleman Coffey (review)
  2. Ciara L. Murphy
  3. pp. 111-113
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  1. Writing and the Modern Stage: Theater beyond Drama by Julia Jarcho (review)
  2. Stanton B. Garner Jr.
  3. pp. 113-115
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  1. Clowning as Social Performance in Colombia: Ridicule and Resistance by Barnaby King (review)
  2. Geoffrey Wilson
  3. pp. 115-118
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  1. Drop Dead: Performance in Crisis, 1970s New York by Hillary Miller (review)
  2. Jasmine Mahmoud
  3. pp. 118-120
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  1. Reader in Comedy: An Anthology of Theory and Criticism ed. by Magda Romanska and Alan Ackerman (review)
  2. Katelyn Hale Wood
  3. pp. 120-123
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  1. Antonin Artaud by David A. Shafer (review)
  2. Gene A. Plunka
  3. pp. 123-125
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