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From: Modern Drama

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restricted access   Volume 61, Number 1, Spring 2018

Table of Contents

Note

p. III
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Articles

Toward a Historicism of Setting: Hamilton and American History

pp. 1-18
Philip Goldfarb Styrt
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Transnational Perspectives of the Middle East in Tony Kushner's Homebody/Kabul and Naomi Wallace's The Fever Chart

pp. 20-39
Marwa Ramadan
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"Something is taking its course": Endgame's Frustrated Musicality and the Evolution of Beckett's Late Dramatic Style

pp. 41-61
Courtney Massie
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History and the Poetics of Relation: The Early Plays of Anguilla's Colonel Harrigan

pp. 62-81
Raymond Saraceni
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Envisioning Queer Liberation: The Performance of Communal Visibility in Doric Wilson's Street Theater

pp. 82-105
Jordan Schildcrout
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Reviews

Experiments in Democracy: Interracial and Cross-Cultural Exchange in American Theatre, 1912–1945 ed. by Cheryl Black and Jonathan Shandell (review)

pp. 106-108
Adrienne C. Macki
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Tennessee Williams and Italy: A Transcultural Perspective by Alessandro Clericuzio (review)

pp. 108-110
S.E. Gontarski
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Political Acts: Women in Northern Irish Theatre, 1921–2012 by Fiona Coleman Coffey (review)

pp. 111-113
Ciara L. Murphy
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Writing and the Modern Stage: Theater beyond Drama by Julia Jarcho (review)

pp. 113-115
Stanton B. Garner Jr.
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Clowning as Social Performance in Colombia: Ridicule and Resistance by Barnaby King (review)

pp. 115-118
Geoffrey Wilson
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Drop Dead: Performance in Crisis, 1970s New York by Hillary Miller (review)

pp. 118-120
Jasmine Mahmoud
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Reader in Comedy: An Anthology of Theory and Criticism ed. by Magda Romanska and Alan Ackerman (review)

pp. 120-123
Katelyn Hale Wood
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Antonin Artaud by David A. Shafer (review)

pp. 123-125
Gene A. Plunka
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