restricted access   Volume 57, Number 2, Winter 2018

Table of Contents

The Economics and Politics of Auteurism: Spike Lee and Do The Right Thing

pp. 1-21
|

Fire and Failure: Studio Technology, Environmental Control, and the Politics of Progress

pp. 22-43
|

Earth as Archive: Reframing Memory and Mourning in The Missing Picture

pp. 44-65
|

Liberating the Screen: Gay and Lesbian Protests of LGBT Cinematic Representation, 1969–1974

pp. 66-88
|

Film, Performance, and the Spaces Between: The Collaborative Works of Mara Mattuschka and Chris Haring

pp. 89-112
|

In Focus: The “C” and “M” in SCMS

edited by Lucas Hilderbrand

The Big Picture: On the Expansiveness of Cinema and Media Studies

pp. 113-116
|

A Discipline of Futures

pp. 117-121
|

Promiscuous Histories, Materialist Theories, Speculative Poetics

pp. 121-125
|

Against Expertise: The Current Case for Breadth over Depth

pp. 126-131
|

Feminism and the Big Picture: Conversations

pp. 131-136
|

The Urgency and Affects of Media Studies

pp. 137-142
|

The Sustainability of Film and Media Studies

pp. 143-147
|

Contributors

p. 147
|

In Review: Richard Dyer in the House of Cinema

edited by Lisa Henderson and Victor Fan, with Louisa Stein

Introduction: There Is Something about Richard Dyer

pp. 148-151
|

To Dye[r] For

pp. 151-154
|

A Thousand Kindred Spirits

pp. 155-157
|

The Persistence of the Sad Young Man

pp. 158-161
|

The Gay and the Rad

pp. 161-163
|

Theorist of Feeling

pp. 163-165
|

Textual Intimacy

pp. 166-169
|

Just Another Fan of Yours

pp. 169-171
|

I Know Where I'm Going!

pp. 172-174
|

Dear Sir or Madman

pp. 174-176
|

Own-Becoming

pp. 177-180
|

In Reply

pp. 181-183
|

Postscript

pp. 183-184
|

Contributors

pp. 185-186
|

Forthcoming

p. 198
|