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In this Issue

Table of Contents

  1. About This Issue
  3. pp. 1-2
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  1. Letters
  3. pp. 5-11
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  1. Announcements
  3. p. 12
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  1. News
  3. pp. 13-20
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  1. Sound Diffusion in Composition and Performance Practice II: An Interview with Ambrose Field
  2. Larry Austin
  3. pp. 21-30
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  1. Toward Reality Equivalence in Spatial Sound Diffusion
  2. David G. Malham
  3. pp. 32-38
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  1. From Circles to Nets: On the Signification of Spatial Sound Imagery in New Music
  2. Maja Trochimczyk
  3. pp. 39-56
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  1. Moving Sound Source Synthesis for Binaural Electroacoustic Music Using Interpolated Head-Related Transfer Functions (HRTFs)
  2. Corey I. Cheng, Gregory H. Wakefield
  3. pp. 57-80
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  1. The Gmebaphone Concept and the Cybernéphone Instrument
  2. Christian Clozier
  3. pp. 81-90
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  1. Music, Arts, and Technology. A Critical Approach (review)
  2. Lina Mercier, Daniel Sellal
  3. pp. 91-92
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  1. Daniel R. Raichel: The Science and Applications of Acoustics (review)
  2. Nico Schuler
  3. pp. 92-94
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  1. Bob Starrett and Josh McDaniel: The Little Audio CD Book (review)
  2. Eric Strother
  3. pp. 94-95
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  1. Artful Devices, Music for Piano and Computers (review)
  2. Daniel Hosken
  3. pp. 95-97
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  1. Douglas B. Doty: Uncommon Practice, Selected Compositions 1983-1995 (review)
  2. Kim S. Courchene
  3. pp. 97-98
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  1. David Mahler: Hearing Voices (review)
  2. Steven M. Miller
  3. pp. 98-99
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  1. Jon Rose: The Hyperstring Project. The New Dynamic of Rogue Counterpoint (review)
  2. Joseph Reinsel
  3. pp. 99-100
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  1. Hans Tutschku: Moment (review)
  2. Patricia Dirks
  3. pp. 100-102
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  1. Waves Gold Native Bundle Version 3.0 (review)
  2. Juniana Grimm, Lon Schnittgrund, James Harley
  3. pp. 102-106
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  1. Products of Interest
  3. pp. 107-117
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