1. Intermediality and Hispano-Argentine Experimental Film: Subverting Media, Transgressing Borders with Super 8
  2. Eduardo Ledesma
  3. pp. 117-141
  4. DOI: 10.1353/rhm.2017.0010
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  1. Don Quijote, Manila, 1623: orden colonial y cultura popular
  2. Miguel Martínez
  3. pp. 143-159
  4. DOI: 10.1353/rhm.2017.0011
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  1. “No hubo tal cosa, que yo estaba allí”: Pedro Sarmiento de Gamboa, censor de Juan de Castellanos
  2. María Gracia Ríos
  3. pp. 161-177
  4. DOI: 10.1353/rhm.2017.0012
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  1. César Aira y la novela de la crisis
  2. Fermín Rodríguez
  3. pp. 179-195
  4. DOI: 10.1353/rhm.2017.0013
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  1. His Master’s Voice?: A Hemispheric History of Phonographic Fictions
  2. Sarah J. Townsend
  3. pp. 197-216
  4. DOI: 10.1353/rhm.2017.0014
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  1. Culture and Its Discontents
  2. J. Andrew Brown
  3. pp. 217-225
  4. DOI: 10.1353/rhm.2017.0015
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  1. Cartas a Consuelo by Julia De Burgos (review)
  2. Rubén Ríos-Ávila
  3. pp. 227-229
  4. DOI: 10.1353/rhm.2017.0016
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  1. La nación singular: fantasías de la normalidad democrática española (1996–2011) by Luisa Elena Delgado (review)
  2. Luis Moreno-Caballud
  3. pp. 230-232
  4. DOI: 10.1353/rhm.2017.0019
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  1. Religious Transformations in the Early Modern Americas ed. by Stephanie Kirk, Sarah Rivett (review)
  2. Erin Kathleen Rowe
  3. pp. 232-234
  4. DOI: 10.1353/rhm.2017.0017
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  1. Teatros nacionales republicanos: la Segunda República y el teatro clásico español by David Rodríguez-Solás (review)
  2. John London
  3. pp. 234-236
  4. DOI: 10.1353/rhm.2017.0018
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