1. Compositions-Demonstrations 1946-1974 (review)
  2. Alcides Lanza
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  1. About This Issue
  2. pp. 1-2
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  1. Announcements
  2. pp. 5-8
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  1. News
  2. pp. 9-12
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  1. A Virtually Real Flute
  2. Sølvi Ystad, Thierry Voinier
  3. pp. 13-24
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  1. SICIB: An Interactive Music Composition System Using Body Movements
  2. Roberto Morales-Manzanares, Eduardo F. Morales, Roger Dannenberg, Jonathan Berger
  3. pp. 25-36
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  1. The Squeezables: Toward an Expressive and Interdependent Multi-player Musical Instrument
  2. Gil Weinberg, Seum-Lim Gan
  3. pp. 37-45
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  1. Synthesizing Natural Sounds Using Dynamic Models of Sound Attractors
  2. Axel Robel
  3. pp. 46-61
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  1. Futura 2000 (review)
  2. Lawrence Fritts
  3. pp. 62-63
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  1. ATallMirror (review)
  2. Thomas Gerwin
  3. pp. 64-68
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  1. Surrounded by Sound: The 109th Convention of the Audio Engineering Society (review)
  2. James Harley
  3. pp. 68-70
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  1. The Algorithmic Composer (review)
  2. Michael Theodore
  3. pp. 70-72
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  1. The Csound Catalog with Audio (review)
  2. Daniel Hosken
  3. pp. 73-75
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  1. Tape Play (review)
  2. Alcides Lanza
  3. pp. 75-76
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  1. Sang (review)
  2. Ross Feller
  3. pp. 76-78
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  1. Compositions-Demonstrations 1946-1974 (review)
  2. Alcides Lanza
  3. p. 78
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  1. Figures (review)
  2. Douglas Geers
  3. pp. 78-80
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  1. New Excursions, and: Drawn Inward (review)
  2. Ross Feller
  3. pp. 80-82
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  1. ATallMirror (review)
  2. Douglas Geers
  3. pp. 82-84
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  1. Various: Presence II (review)
  2. Patricia Dirks
  3. pp. 84-85
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  1. Evangelisti (review)
  2. Agostino Di Scipio
  3. pp. 85-88
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  1. Products of Interest
  2. pp. 89-98
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  1. Editor's Notes
  2. Douglas Keislar
  3. p. 4
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