1. Congratulations!
  2. p. 1
  3. DOI: 10.1353/tj.2017.0063
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  1. Processional Aesthetics and Irregular Transit: Envisioning Refugees in Europe
  2. Emma Cox
  3. pp. 477-496
  4. DOI: 10.1353/tj.2017.0066
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  1. Dark Visions: Looking at and in Theatrical Darkness
  2. Martin Welton
  3. pp. 497-513
  4. DOI: 10.1353/tj.2017.0067
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  1. Looking and Being Looked At: Visualizing the Nineteenth-Century Spectator
  2. Jim Davis
  3. pp. 515-534
  4. DOI: 10.1353/tj.2017.0068
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  1. Problematic Images: Some Pitfalls Associated with the Use of Iconography in Seventeenth-Century French Theatre History
  2. Jan Clarke
  3. pp. 535-553
  4. DOI: 10.1353/tj.2017.0069
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  1. Photographing Titus Andronicus: Textual Fidelity, Spectacle, and the Performance Tradition
  2. Sally Barnden
  3. pp. 555-571
  4. DOI: 10.1353/tj.2017.0070
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  1. The Black Crook: an Original, Magical and Spectacular Musical Drama by Charles M. Barras (review)
  2. Roberta Barker, Marlis Schweitzer
  3. pp. 573-574
  4. DOI: 10.1353/tj.2017.0071
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  1. The Second Shepherds’ Play by Mary Hall Surface (review)
  2. Gina M. Di Salvo
  3. pp. 574-576
  4. DOI: 10.1353/tj.2017.0072
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  1. Gentle by Zeljko Djukic (review)
  2. Cheryl Black
  3. pp. 576-578
  4. DOI: 10.1353/tj.2017.0073
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  1. Sense & Sensibility by Jane Austen (review)
  2. Monica Fay Anderson
  3. pp. 578-580
  4. DOI: 10.1353/tj.2017.0074
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  1. The Forgotten/L’oublié(e) by Raphaëlle Boitel (review)
  2. Jessica Silsby Brater
  3. pp. 580-582
  4. DOI: 10.1353/tj.2017.0075
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  1. Oil by Ella Hickson (review)
  2. Kimberly Skye Richards
  3. pp. 582-583
  4. DOI: 10.1353/tj.2017.0076
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  1. Battlefield by Jean-Claude Carrière (review)
  2. E. Teresa Choate
  3. pp. 584-585
  4. DOI: 10.1353/tj.2017.0077
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  1. Concord floral by Jordan Tannahill (review)
  2. Stephen Low
  3. pp. 585-587
  4. DOI: 10.1353/tj.2017.0078
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  1. Blueprint Specials by Tom Ridgely (review)
  2. J. Riley Caldwell-O’Keefe
  3. pp. 587-589
  4. DOI: 10.1353/tj.2017.0079
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  1. The Plough and the Stars by Sean O’Casey (review)
  2. C. Austin Hill
  3. pp. 590-591
  4. DOI: 10.1353/tj.2017.0080
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  1. Straight White Men by Young Jean Lee (review)
  2. Paul C. Castagno
  3. pp. 591-594
  4. DOI: 10.1353/tj.2017.0081
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  1. Emma & Edvard: Love in the Time of Loneliness by Mieke Bal (review)
  2. Jakob Lothe
  3. pp. 594-596
  4. DOI: 10.1353/tj.2017.0082
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  1. William Kentridge: Being Led by the Nose by Jane Taylor (review)
  2. Hazel Rickard
  3. pp. 597-598
  4. DOI: 10.1353/tj.2017.0083
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  1. Theatre as Voyeurism: The Pleasures of Watching ed. by George Rodosthenous (review)
  2. Matthew C. Stone
  3. pp. 598-599
  4. DOI: 10.1353/tj.2017.0084
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  1. Contemporary Japanese Women’s Theatre and Visual Arts: Performing Girls’ Aesthetics by Nobuko Anan (review)
  2. Ayako Kano
  3. pp. 599-601
  4. DOI: 10.1353/tj.2017.0085
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  1. Learning to Kneel: Noh, Modernism, and Journeys in Teaching by Carrie J. Preston (review)
  2. Alex Rogals
  3. p. 601
  4. DOI: 10.1353/tj.2017.0086
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  1. Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka (review)
  2. Guanda Wu
  3. pp. 602-603
  4. DOI: 10.1353/tj.2017.0087
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  1. Index to Volume 69
  2. pp. 625-629
  3. DOI: 10.1353/tj.2017.0091
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  1. Editorial Comment: Theatre, Performance, and Visual Images
  2. Joanne Tompkins
  3. pp. xi-xv
  4. DOI: 10.1353/tj.2017.0064
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  1. Books Received
  2. pp. 607-617
  3. DOI: 10.1353/tj.2017.0090
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