1. “Ce pays est un volcan”: Saint-Pierre and the Language of Loss in White Creole Women’s Narratives
  2. Annette K. Joseph-Gabriel
  3. pp. 13-28
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  1. On Rereading Mayotte Capécia Today
  2. Michael Wiedorn
  3. pp. 29-40
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  1. Mycéa : délire verbal et mémoire empierrée chez Édouard Glissant
  2. Erika V. Serrato
  3. pp. 41-57
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  1. L’Enfant-bois d’Audrey Pulvar : écriture d’une mémoire traumatique
  2. Stève Puig
  3. pp. 58-67
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  1. « Il faut souffrir pour ȇtre belle » : constructions de la féminité dans D’eaux douces de Fabienne Kanor
  2. Ann-Sofie Persson
  3. pp. 68-76
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  1. Espace océanique, parole archipélique et polyphonie mémorielle dans Humus de Fabienne Kanor
  2. Emmanuel Bruno Jean-François
  3. pp. 77-92
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  1. Grandir femme dans La Mazurka perdue des femmes-couresse de Mérine Céco
  2. Katia Gottin
  3. pp. 93-107
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  1. Portraying The Royal Self: Maurice-Quentin De La Tour’s 1761 Portrait Of Marie-Josèphe Of Saxony And Her Son
  2. Amanda Strasik
  3. pp. 108-118
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  1. Destabilizing Motherhood and Fostering Care in George Sand’s Les Maîtres Sonneurs
  2. Anne Marcoline
  3. pp. 119-133
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  1. Unraveling the Feminist Novel of the Belle Époque: Gabrielle Réval’s La bachelière (1910)
  2. Hope Christiansen
  3. pp. 134-148
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  1. Rereading Elsa Triolet’s Roses à crédit as a Fairy Tale for Tough Financial Times
  2. Erin Tremblay Ponnou-Delaffon
  3. pp. 149-159
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  1. Annie Ernaux and L’autre fille: Writing Absence
  2. Cathy Jellenik
  3. pp. 160-171
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  1. Femmes, violences et Francophonie : des identités problématiques Véronique Tadjo et Tanella boni
  2. Sabrina Medouda
  3. pp. 172-182
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  1. Voicing Voluntary Childlessness: Voices of Non-Mothering in French by Natalie Edwards (review)
  2. Cheryl Toman, Marianne Golding
  3. pp. 183-184
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  1. The Body and the Screen: Female Subjectivities in Contemporary Women’s Cinema by Kate Ince (review)
  2. Cécile T. Rebolledo
  3. pp. 184-185
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  1. Montaigne et le genre instable by Isabelle Krier (review)
  2. Dorothy Stegman
  3. pp. 185-187
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  1. Intertextual Weaving in the Work of Linda Lê: Imagining the Ideal Reader by Alexandra Kurmann (review)
  2. Gloria Kwok
  3. pp. 187-188
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  1. The Evolution of The French Courtesan Novel: From de Chabrillan to Colette by Courtney Sullivan (review)
  2. Mariah Devereux Herbeck
  3. pp. 188-190
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  1. Women Writers of Gabon: Literature and Herstory by Cheryl Toman (review)
  2. Eileen M. Angelini
  3. pp. 190-191
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  1. The Case for the Humanities: Pedagogy, Polity, Interdisciplinarity by Eric Touya de Marenne (review)
  2. E. Nicole Meyer
  3. pp. 191-192
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  1. Le Temps des femmes. Textes mémoriels des Lumières par Anne Coudreuse et Catriona Seth (review)
  2. Pascale Dewey
  3. pp. 192-194
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  1. Risques et Regrets : Les Dangers de l’écriture épistolaire par Geneviève De Viveiros, Margot Irvine et Karin Schwerdtner (review)
  2. Frédérique Chevillot
  3. pp. 194-195
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  1. La mythocritique contemporaine au féminin : Dialogue entre théorie et pratique par Metka Zupančič (review)
  2. Jodie Barker
  3. pp. 196-197
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  1. Remontrances, prophéties et confessions de femmes (1575–1650) ed. by Jean-Philippe Beaulieu (review)
  2. Kathleen M. Llewellyn
  3. pp. 197-198
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  1. Malvina by Sophie Cottin (review)
  2. Carrie F. Klaus
  3. pp. 200-201
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  1. Théâtre de femmes de l’Ancien Régime ed. by Aurore Evain, Perry Gethner, and Henriette Goldwyn (review)
  2. Theresa Varney Kennedy
  3. pp. 201-203
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  1. Fairy Tales for the Disillusioned: Enchanted Stories from the French Decadent Traditioned. by Gretchen Schultz and Lewis Seifert (review)
  2. Giulia Vallacqua
  3. pp. 203-204
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  1. Les Loisirs de Madame de Maintenon: Etude et textes ed. by Constant Venesoen (review)
  2. Cathleen M. Bauschatz
  3. pp. 204-205
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  1. Ils ne pensent qu’à ça by Honorine Ngou (review)
  2. Cheryl Toman
  3. pp. 206-207
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  1. Tatouages by Claudine Potvin (review)
  2. Cristina Onesta
  3. pp. 207-208
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  1. Editor’s Preface
  2. Juliette M. Rogers
  3. pp. 10-12
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  1. Notes on Contributors
  2. pp. 209-212
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