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Table of Contents

  1. Editor's Notes
  3. pp. 1-2
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  1. Errata Notes for 9.1 (corrections from 8.2 Issue)
  3. p. 3
  4. restricted access
  1. Errata Notes for 9.1 (corrections from 8.2 Issue)
  3. p. 4
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Articles

  1. Timbuktu: What Call to Action?
  2. Amadou Fofana, Bruce S. Hall
  3. pp. 7-21
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  1. Sentimentalizing Racial Reconciliation in the "New South Africa": Cinematic Representation of the 1995 Rugby World Cup
  2. Albert Fu, Martin Murray
  3. pp. 22-46
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.02
  5. restricted access
  1. All Tangled Up: Intersecting Stigmas of Race, Gender, and Sexuality in Mariana Rondón's Bad Hair
  2. Reighan Gillam
  3. pp. 47-61
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.03
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  1. Color/blindness in Sheri Hagen's Auf den zweiten Blick
  2. Olivia Landry
  3. pp. 62-79
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.04
  5. restricted access

Interview

  1. On the Commerce of Intimacy: Dany Laferrière on How to Make Love to a Negro… and Heading South
  2. Michael T. Martin, Yalie Kamara
  3. pp. 80-105
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.05
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Close-Up: Beyoncé: Media and Cultural Icon

  1. Introduction: Who is Beyoncé?
  2. Stephanie Li
  3. pp. 106-113
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.06
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  1. Beyoncé's Digital Stardom
  2. Eric Harvey
  3. pp. 114-130
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.07
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  1. Surviving the Hustle: Beyoncé's Performance of Work
  2. Emily J. Lordi
  3. pp. 131-145
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.08
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  1. Queen Bey and the New Niggerati: Ethics of Individualism in the Appropriation of Black Radicalism
  2. Mako Fitts Ward
  3. pp. 146-163
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.09
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  1. Beyoncé's Black (Ab)Normal: Baaad Insurgency and the Queerness of Slaying
  2. Marquis Bey
  3. pp. 164-178
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.10
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  1. Ass You Lick It: Bey and Jay Eat Cake
  2. Dinah Holtzman
  3. pp. 179-188
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.11
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  1. A Critical View of Beyonce's "Formation"
  2. Alicia Wallace
  3. pp. 189-196
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.12
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  1. Class Formation: Beyoncé in Music Video Production
  2. Aisha Durham
  3. pp. 197-204
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.13
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  1. A Conversation with Salamishah Tillet
  2. Tiffany E. Barber
  3. pp. 205-216
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.14
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Frespaco Dossier

  1. Selected English Translations and List of Participants
  2. Gaston Kaboré, Alain Didier Compaore
  3. pp. 218-224
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  1. Décoloniser notre imaginaire: Mardi 28 février 2017 – Ouagadougou – Burkino Faso
  2. Fouad Souiba
  3. pp. 226-232
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  1. Rapport Général Colloque FESPACO (French)
  2. Various Contributors
  3. pp. 234-300
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  1. Félicité: Paths of Possibility
  2. Olivier Barlet, Melissa Thackway
  3. pp. 302-303
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  1. Félicité: A Lesson in Cinema
  2. Olivier Barlet, Melissa Thackway
  3. pp. 304-306
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  1. FESPACO: A Discredited Festival
  2. Olivier Barlet, Melissa Thackway
  3. pp. 308-322
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Film Review

  1. Film Review: Killer of Sheep
  2. Mary Maillard
  3. pp. 323-328
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Archival Spotlight

  1. Things I Forgot to Tell You: The Forgotten Legacy of Phil Moore
  2. Ronda L. Sewald
  3. pp. 329-349
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.15
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  1. Archival News
  2. Yalie Kamara
  3. pp. 350-355
  4. DOI: https://doi.org/10.2979/blackcamera.9.1.0350
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