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In this Issue

Table of Contents

  1. Race and Media in 21st-Century Classrooms
  2. Thulani Davis
  3. pp. 4-11
  4. DOI: https://doi.org/10.1353/flm.2017.0036
  5. restricted access
  1. The Archival Value of Television in the “Golden Age” of Media Collecting
  2. Lauren Bratslavsky
  3. pp. 12-27
  4. DOI: https://doi.org/10.1353/flm.2017.0037
  5. restricted access
  1. All Bad Little Movies When They Die Go to Ralph Spence: The Silent Era’s Most Famous Title Writer
  2. Gregory Robinson
  3. pp. 28-40
  4. DOI: https://doi.org/10.1353/flm.2017.0038
  5. restricted access
  1. From The Manchurian Candidate to Zero Dark Thirty: Reading the CIA’s History of Torture through Hollywood Thrillers
  2. Lisa Hajjar
  3. pp. 41-54
  4. DOI: https://doi.org/10.1353/flm.2017.0039
  5. restricted access
  1. Speaking Truths With Film: Evidence, Ethics, Politics in Documentary by Bill Nichols (review)
  2. Alex W. Bordino
  3. pp. 55-56
  4. DOI: https://doi.org/10.1353/flm.2017.0040
  5. restricted access
  1. Carceral Fantasies: Cinema and Prison in Early Twentieth-Century America by Alison Griffiths (review)
  2. Carolyn Jacobs
  3. pp. 57-58
  4. DOI: https://doi.org/10.1353/flm.2017.0041
  5. restricted access
  1. Contemporary Masculinities in Fiction, Film and Television by Brian Baker (review)
  2. Brian Faucette
  3. pp. 59-61
  4. DOI: https://doi.org/10.1353/flm.2017.0042
  5. restricted access
  1. Farber on Film: The Complete Film Writings of Manny Farber ed. by Robert Polito (review)
  2. Bernard F. Dick
  3. pp. 62-63
  4. DOI: https://doi.org/10.1353/flm.2017.0043
  5. restricted access
  1. The First King of Hollywood: The Life of Douglas Fairbanks by Tracey Goessel (review)
  2. James H. Krukones
  3. pp. 64-65
  4. DOI: https://doi.org/10.1353/flm.2017.0044
  5. restricted access
  1. Mexico on Main Street: Transnational Film Culture in Los Angeles Before World War II by Colin Gunckel (review)
  2. Frank Garcia
  3. pp. 66-68
  4. DOI: https://doi.org/10.1353/flm.2017.0045
  5. restricted access
  1. Ghost Faces: Hollywood and Post-Millennial Masculinity by David Greven (review)
  2. Brian Faucette
  3. pp. 69-71
  4. DOI: https://doi.org/10.1353/flm.2017.0046
  5. restricted access
  1. Our Gang: A Racial History of the Little Rascals by Julia Lee (review)
  2. Valerie H. Pennanen
  3. pp. 72-74
  4. DOI: https://doi.org/10.1353/flm.2017.0047
  5. restricted access
  1. The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland ed. by Cynthia J. Miller, A. Bowdoin Van Riper (review)
  2. Matthew McKeague
  3. pp. 75-76
  4. DOI: https://doi.org/10.1353/flm.2017.0048
  5. restricted access
  1. Reframing the Past: History, Film and Television by Mia E. M. Treacey (review)
  2. Kim Nelson
  3. pp. 77-79
  4. DOI: https://doi.org/10.1353/flm.2017.0049
  5. restricted access
  1. Back to the Fifties: Nostalgia, Hollywood Film, and Popular Music of the Seventies and Eighties by Michael D. Dwyer (review)
  2. Christopher D. Stone
  3. pp. 80-81
  4. DOI: https://doi.org/10.1353/flm.2017.0050
  5. restricted access
  1. Selling the Silver Bullet: The Lone Ranger & Transmedia Brand Licensing by Avi Santo (review)
  2. Britta Hanson
  3. pp. 82-83
  4. DOI: https://doi.org/10.1353/flm.2017.0051
  5. restricted access
  1. Captain America, Masculinity, and Violence: The Evolution of a National Icon by J. Richard Stevens (review)
  2. Ezra Claverie
  3. pp. 84-85
  4. DOI: https://doi.org/10.1353/flm.2017.0052
  5. restricted access
  1. The Poitier Effect: Racial Melodrama and Fantasies of Reconciliation by Sharon Willis (review)
  2. Derek C. Maus
  3. pp. 86-88
  4. DOI: https://doi.org/10.1353/flm.2017.0053
  5. restricted access
  1. Imperial Projections: Screening the German Colonies by Wolfgang Fuhrmann (review)
  2. Richard A. Voeltz
  3. pp. 89-90
  4. DOI: https://doi.org/10.1353/flm.2017.0054
  5. restricted access