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Table of Contents

  1. The Craft of Editing
  2. Anna Lena Phillips Bell
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/ect.2017.0036
  5. restricted access
  1. Letter to an Apprentice
  2. David Gessner
  3. pp. 9-17
  4. DOI: https://doi.org/10.1353/ect.2017.0037
  5. restricted access
  1. The Lineman
  2. Jill McCorkle
  3. pp. 20-32
  4. DOI: https://doi.org/10.1353/ect.2017.0038
  5. restricted access
  1. Doppelgangbanger, and: Thugonomics, and: (Sub)Urban Dictionary
  2. Cortney Lamar Charleston
  3. pp. 33-37
  4. DOI: https://doi.org/10.1353/ect.2017.0039
  5. restricted access
  1. Movements
  2. Ellie A. Rogers
  3. pp. 38-41
  4. DOI: https://doi.org/10.1353/ect.2017.0040
  5. restricted access
  1. Lady’s Capuchin Hood, and: Crimean Helmet
  2. Nina Sudhakar
  3. pp. 42-43
  4. DOI: https://doi.org/10.1353/ect.2017.0041
  5. restricted access
  1. Domestication of the Ceiling Fan
  2. George David Clark
  3. pp. 44-45
  4. DOI: https://doi.org/10.1353/ect.2017.0042
  5. restricted access
  1. How Does a Smokestack Mean?
  2. Maryann Corbett
  3. pp. 46-52
  4. DOI: https://doi.org/10.1353/ect.2017.0043
  5. restricted access
  1. The Smokestack
  2. Joshua Mehigan
  3. pp. 53-55
  4. DOI: https://doi.org/10.1353/ect.2017.0044
  5. restricted access
  1. The Craft of Making Time: Field Reports From a Circadian Self-Test
  2. John Labovitz, Emily Larned, Bridget Elmer
  3. pp. 56-68
  4. DOI: https://doi.org/10.1353/ect.2017.0045
  5. restricted access
  1. The Marabu Makes It to America After All
  2. Jessica Guzman Alderman
  3. p. 69
  4. DOI: https://doi.org/10.1353/ect.2017.0046
  5. restricted access
  1. Snowflake No.1
  2. Andrea Mummert Puccini
  3. pp. 70-78
  4. DOI: https://doi.org/10.1353/ect.2017.0047
  5. restricted access
  1. Whosoever Holds This Hammer
  2. Dawn Manning
  3. p. 79
  4. DOI: https://doi.org/10.1353/ect.2017.0048
  5. restricted access
  1. Natural Disasters
  2. Alexis Schaitkin
  3. pp. 80-97
  4. DOI: https://doi.org/10.1353/ect.2017.0049
  5. restricted access
  1. Portrait of a Vacant Lot
  2. Martha Park
  3. pp. 98-112
  4. DOI: https://doi.org/10.1353/ect.2017.0050
  5. restricted access
  1. How to Make a Biscuit
  2. Lauren Camp
  3. p. 113
  4. DOI: https://doi.org/10.1353/ect.2017.0051
  5. restricted access
  1. Textual Portraits
  2. Leslie Nichols
  3. pp. 114-120
  4. DOI: https://doi.org/10.1353/ect.2017.0052
  5. restricted access
  1. Fabric of the Cosmos
  2. Cate Lycurgus
  3. p. 121
  4. DOI: https://doi.org/10.1353/ect.2017.0053
  5. restricted access
  1. Monsoon and Peacock
  2. Humayrah Poppins, Aimee Nezhukumatathil
  3. pp. 122-129
  4. DOI: https://doi.org/10.1353/ect.2017.0054
  5. restricted access
  1. how it works
  2. Rebecca Foust
  3. pp. 130-131
  4. DOI: https://doi.org/10.1353/ect.2017.0055
  5. restricted access
  1. The Hornpipe and the Rake
  2. Ben Miller
  3. pp. 132-140
  4. DOI: https://doi.org/10.1353/ect.2017.0056
  5. restricted access
  1. Seamstress, and: The Dresser
  2. Lynne Thompson
  3. pp. 141-142
  4. DOI: https://doi.org/10.1353/ect.2017.0057
  5. restricted access
  1. Speech Delay, and: The Bestiary Makers
  2. David Macey
  3. pp. 143-146
  4. DOI: https://doi.org/10.1353/ect.2017.0058
  5. restricted access
  1. Set Free
  2. Athena Kildegaard
  3. p. 147
  4. DOI: https://doi.org/10.1353/ect.2017.0059
  5. restricted access
  1. Foreigners
  2. Farah Ali
  3. pp. 148-156
  4. DOI: https://doi.org/10.1353/ect.2017.0060
  5. restricted access
  1. This Poem Contains No Natural Fibers, and: August, in the Backyard, with the Sunset’s Reflection in Clouds and “Candy Girl”
  2. Molly Tenenbaum
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/ect.2017.0061
  5. restricted access
  1. On Craft: Twenty-five Sentences from Ecotone Contributors
  3. pp. 159-162
  4. DOI: https://doi.org/10.1353/ect.2017.0062
  5. restricted access
  1. Notes on Contributors
  3. pp. 163-166
  4. DOI: https://doi.org/10.1353/ect.2017.0063
  5. restricted access