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In this Issue

Table of Contents

  1. Introduction
  2. Sara Freeman
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/ths.2017.0000
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Part I Studies in Theatre History

  1. Resisting Arlecchino's Mask: The Case of Marcello Moretti
  2. Gabrielle Houle
  3. pp. 7-28
  4. DOI: https://doi.org/10.1353/ths.2017.0001
  5. restricted access
  1. Making Space for Performance: Theatrical-Architectural Nationalism in Postindependence Ghana
  2. David Afriyie Donkor
  3. pp. 29-56
  4. DOI: https://doi.org/10.1353/ths.2017.0002
  5. restricted access
  1. Preparing Boys for War: J. M. Barrie's Peter Pan Enlists in World War I's "Great Adventure"
  2. Laura Ferdinand Feldmeyer
  3. pp. 57-74
  4. DOI: https://doi.org/10.1353/ths.2017.0003
  5. restricted access
  1. Not Just Rock 'n' Roll: Chicago Theatre, 1984–1990
  2. Julie Jackson
  3. pp. 75-111
  4. DOI: https://doi.org/10.1353/ths.2017.0004
  5. restricted access

Part II Histories of New Writing for Theatre

  1. New Writing and Theatre History: Introduction to the Special Section
  2. Sara Freeman
  3. pp. 115-128
  4. DOI: https://doi.org/10.1353/ths.2017.0005
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  1. New Plays in New Tongues: Bilingualism and Immigration at the New Italian Theatre in France
  2. Matthew Mcmahan
  3. pp. 129-148
  4. DOI: https://doi.org/10.1353/ths.2017.0006
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  1. The Waterloo Summer of the Prince of Wales's Theatre: New Writing, Old Friends, and Early Realism in the Victorian Theatre
  2. Shannon Epplett
  3. pp. 149-182
  4. DOI: https://doi.org/10.1353/ths.2017.0007
  5. restricted access
  1. Chekhov's Three Sisters: A Proto-Poststructuralist Experiment
  2. Sarah Wyman
  3. pp. 183-210
  4. DOI: https://doi.org/10.1353/ths.2017.0008
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  1. Historicizing Shakesfear and Translating Shakespeare Anew
  2. Lezlie C. Cross
  3. pp. 211-230
  4. DOI: https://doi.org/10.1353/ths.2017.0009
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  1. A New Noble Kinsmen: The Play On! Project and Making New Plays Out of Old
  2. Martine Kei Green-Rogers, Alex N. Vermillion
  3. pp. 231-247
  4. DOI: https://doi.org/10.1353/ths.2017.0010
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  1. Making New Theatre Together: The First Writers' Group at the Royal Court Theatre and Its Legacy within the Young Writers' Programme
  2. Nicholas Holden
  3. pp. 248-265
  4. DOI: https://doi.org/10.1353/ths.2017.0011
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  1. New Writing in a Populist Context: A Play, a Pie and a Pint
  2. Deana Nichols
  3. pp. 266-285
  4. DOI: https://doi.org/10.1353/ths.2017.0012
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  1. American Playwriting and the Now New
  2. Todd London
  3. pp. 286-298
  4. DOI: https://doi.org/10.1353/ths.2017.0013
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Part III Essay from the Conference

  1. Black Folks's Theatre to Black Lives Matter: The Black Revolution on Campus
  2. La Donna L. Forsgren
  3. pp. 301-309
  4. DOI: https://doi.org/10.1353/ths.2017.0014
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Part IV Book Reviews

  1. Theatre and Evolution from Ibsen to Beckett by Kirsten E. Shepherd-Barr (review)
  2. Vivian Appler
  3. pp. 313-315
  4. DOI: https://doi.org/10.1353/ths.2017.0015
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  1. American Traveling Tent Theatre, 1900–1940: Rural and Small Town Tent Show Plays Performed in the Midwest (Including Scripts of Popular Tent Theatricals) by Dawn Larsen and Richard L. Poole (review)
  2. Steven Dedalus Burch
  3. pp. 315-318
  4. DOI: https://doi.org/10.1353/ths.2017.0016
  5. restricted access
  1. Rooms in Dramatic Realism by Fred Miller Robinson (review)
  2. Dorothy Chansky
  3. pp. 318-320
  4. DOI: https://doi.org/10.1353/ths.2017.0017
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  1. Offstage Voices: Life in Twin Cities Theater by Peg Guilfoyle (review)
  2. Eric J. Colleary
  3. pp. 320-322
  4. DOI: https://doi.org/10.1353/ths.2017.0018
  5. restricted access
  1. Working in the Wings: New Perspectives on Theatre History and Labor eds. by Elizabeth A. Osborne and Christine Woodworth (review)
  2. Stacey Connelly
  3. pp. 323-325
  4. DOI: https://doi.org/10.1353/ths.2017.0019
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  1. Child Labor in the British Victorian Entertainment Industry, 1875–1914 by Dyan Colclough (review)
  2. Eileen Curley, Eileen Curley
  3. pp. 325-328
  4. DOI: https://doi.org/10.1353/ths.2017.0020
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  1. A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire by Hiram Pérez (review)
  2. Darin Kerr, Darin Kerr
  3. pp. 328-330
  4. DOI: https://doi.org/10.1353/ths.2017.0021
  5. restricted access
  1. Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre by Dorothy Chansky (review)
  2. Karin Maresh
  3. pp. 330-333
  4. DOI: https://doi.org/10.1353/ths.2017.0032
  5. restricted access
  1. Playing God: The Bible on the Broadway Stage by Henry Bial (review)
  2. I. Bailey Mcdaniel
  3. pp. 333-336
  4. DOI: https://doi.org/10.1353/ths.2017.0022
  5. restricted access
  1. Performance and Temporalisation: Time Happens eds. by Jodie McNeilly, and Maeva Veerapen (review)
  2. Julia Moriarty
  3. pp. 336-338
  4. DOI: https://doi.org/10.1353/ths.2017.0023
  5. restricted access
  1. Seeing Sarah Bernhardt: Performance and Silent Film by Victoria Duckett (review)
  2. Laura M. Nelson
  3. pp. 339-341
  4. DOI: https://doi.org/10.1353/ths.2017.0024
  5. restricted access
  1. American Tragedian: The Life of Edwin Booth by Daniel J. Watermeier (review)
  2. Michael A. Rothmayer
  3. pp. 341-343
  4. DOI: https://doi.org/10.1353/ths.2017.0025
  5. restricted access
  1. Lincoln and Shakespeare by Michael Anderegg, and: Fortune's Fool: The Life of John Wilkes Booth by Terry Alford (review)
  2. Richard Sautter
  3. pp. 343-346
  4. DOI: https://doi.org/10.1353/ths.2017.0026
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  1. Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors by Shauna Vey (review)
  2. Jeff Turner
  3. pp. 346-348
  4. DOI: https://doi.org/10.1353/ths.2017.0027
  5. restricted access
  1. Early Modern Drama in Performance: Essays in Honor of Lois Potter ed. by Darlene Farabee, Mark Netzloff, and Bradley D. Ryner (review)
  2. Dan Venning, Dan Venning
  3. pp. 348-351
  4. DOI: https://doi.org/10.1353/ths.2017.0028
  5. restricted access
  1. Victorian Classical Burlesques: A Critical Anthology by Laura Monrós-Gaspar (review)
  2. Elizabeth Wellman
  3. pp. 351-353
  4. DOI: https://doi.org/10.1353/ths.2017.0029
  5. restricted access
  1. Books Received
  3. pp. 355-356
  4. DOI: https://doi.org/10.1353/ths.2017.0030
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  1. Contributors
  3. pp. 357-360
  4. DOI: https://doi.org/10.1353/ths.2017.0031
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