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Table of Contents

  1. In Memoriam Heinz Wetzel
  3. p. 311
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  1. „Die sonderbaren Verkettungen des Zufalls“: E.T.A. Hoffmanns Spiel mit der Wahrscheinlichkeit in der Erzählung Spieler-Glück
  2. Dale Adams
  3. pp. 312-332
  4. restricted access
  1. Place, Motion, and Guilt in Wilhelm Raabe’s Stopfkuchen
  2. John B. Lyon
  3. pp. 333-348
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  1. Paper Matters: Vielschreiberei and Bookkeeping in August von Kotzebue’s “Das Buch Papier”
  2. Ilinca Iurascu
  3. pp. 349-361
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  1. “Berliner Sonderschule”: History, Space, and Humour in Jan Ole Gerster’s Oh Boy (A Coffee in Berlin)
  2. Robert Blankenship, Jill E. Twark
  3. pp. 362-381
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  1. Berlin’s Own Rip Van Winkle: The Washington Irving Connection in Wolfgang Becker’s Good Bye, Lenin!
  2. Paul Haspel
  3. pp. 382-406
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  1. Uncanny Encounters: Literature, Psychoanalysis, and the End of Alterity by John Zilcosky (review)
  2. Rolf J. Goebel
  3. pp. 407-408
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  1. An Other Kind of Home: Gender-Sexual Abjection, Subjectivity, and the Uncanny in Literature and Film by Kyle Frackman (review)
  2. Anjeana K. Hans
  3. pp. 409-411
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  1. Tier im Text: Exemplarität und Allegorizität literarischer Lebewesen ed. by Hans Jürgen Scheuer and Ulrike Vedder (review)
  2. Kári Driscoll
  3. pp. 411-414
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  1. Gespenstergeschichten: Der linke Terrorismus der RAF und die Künste by Svea Bräunert (review)
  2. Nicole A. Thesz
  3. pp. 414-416
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  1. The Ends of Satire: Legacies of Satire in Postwar German Writing by Daniel Bowles (review)
  2. Lars Richter
  3. pp. 416-418
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