restricted access   Volume 38, Numbers 1-2, 2017

Table of Contents

Editor's Foreword

pp. v-vii


"Told in context.": Dorothy Day's Previously Unpublished Reminiscence of Eugene O'Neill

pp. 1-12

Fitzi, True-Believer: The Legacy of M. Eleanor Fitzgerald

pp. 13-46

The Pen and The Brush: Eugene O'Neill, Visual Artists, and Women Muses

pp. 47-73

An Exorcism on The Outside, or Looking into Trifles—Before Breakfast: Geopathic Crises in the Plays of Eugene O'Neill and Susan Glaspell

pp. 74-92

Harlots and Hunted: Prostitutes in O'Neill's Work

pp. 93-108

Finding a Home: Salome Jens on Performing O'Neill

pp. 109-121

Stately Women in Retrospect: Actresses Jenny Bacon and Joan MacIntosh Recall Their Roles as Sara and Deborah Harford in Ivo van Hove's More Stately Mansions

pp. 122-136

Reflections on the "Second Girl"

pp. 137-141

Book Review

Women Possessed: A Life of Eugene O'Neill by Arthur and Barbara Gelb (review)

pp. 142-145

Performance Reviews

Editor's Foreword Long Day's Journeys and Deposed Emperors

pp. 146-148

Long Day's Journey Into Night by William Hayes (review)

pp. 149-150

Long Day's Journey Into Night by Jonathan Kent (review)

pp. 151-155

Long Day's Journey Into Night by Jeanie Hackett (review)

pp. 156-159

Long Day's Journey Into Night by Derron Wood (review)

pp. 160-164

O'Neill (Unexpected) by Alex Roe (review)

pp. 165-169

The Hairy Ape by Richard Jones (review)

pp. 170-174

The Emperor Jones by Ciarán O'Reilly (review)

pp. 175-179

The Iceman Lab by Julia Sirna-Frest et al. (review)

pp. 180-183