1. “Still Another Judith”: Protest and Performance in Brian Friel’s Film Adaptation of The Lonely Passion of Judith Hearne
  2. Reid Echols
  3. pp. 252-277
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  1. The Liberal Trial Play: Notes toward the Formation of a Genre
  2. Alexander Feldman
  3. pp. 278-305
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  1. The Extreme Right and the Limits of Liberal Tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation
  2. James Hudson
  3. pp. 306-337
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  1. Witnessing the Trauma of Our Town
  2. Robert Vork
  3. pp. 338-363
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  1. Esmoreit and Lippijn: A New Translation for Performance of Two Plays from the Van Hulthem Manuscript
  2. Mandy L. Albert
  3. pp. 364-367
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  1. Esmoreit and Lippijn
  2. p. 368
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  1. A goodly play about Esmoreit Of Sicily, the king’s son, And a farce to follow thereafter
  2. pp. 369-404
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  1. Lippijn: A farce to follow Esmoreit
  2. pp. 405-413
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  1. Sensory Experience and the Metropolis on the Jacobean Stage (1603–1625) by Hristomir A. Stanev (review)
  2. Natalie Katerina Eschenbaum
  3. pp. 414-417
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  1. Tragedy and Trauma in the Plays of Christopher Marlowe by Mathew R. Martin (review)
  2. Zackariah Long
  3. pp. 417-420
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  1. Susan Glaspell’s Poetics and Politics of Rebellion by Emeline Jouve (review)
  2. Veronica Makowsky
  3. pp. 421-423
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  1. Sam Shepard and the Aesthetics of Performance by Emma Creedon (review)
  2. Shannon Blake Skelton
  3. pp. 424-427
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  1. Brief Notices
  2. pp. 428-430
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  1. Contributors
  2. pp. 432-433
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