restricted access   Volume 51, Number 3, Fall 2017

Table of Contents

“Still Another Judith”: Protest and Performance in Brian Friel’s Film Adaptation of The Lonely Passion of Judith Hearne

pp. 252-277
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The Liberal Trial Play: Notes toward the Formation of a Genre

pp. 278-305
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The Extreme Right and the Limits of Liberal Tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation

pp. 306-337
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Witnessing the Trauma of Our Town

pp. 338-363
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Esmoreit and Lippijn: A New Translation for Performance of Two Plays from the Van Hulthem Manuscript

pp. 364-367
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Esmoreit and Lippijn

p. 368
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A goodly play about Esmoreit Of Sicily, the king’s son, And a farce to follow thereafter

pp. 369-404
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Lippijn: A farce to follow Esmoreit

pp. 405-413
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Reviews

Sensory Experience and the Metropolis on the Jacobean Stage (1603–1625) by Hristomir A. Stanev (review)

pp. 414-417
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Tragedy and Trauma in the Plays of Christopher Marlowe by Mathew R. Martin (review)

pp. 417-420
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Susan Glaspell’s Poetics and Politics of Rebellion by Emeline Jouve (review)

pp. 421-423
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Sam Shepard and the Aesthetics of Performance by Emma Creedon (review)

pp. 424-427
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Brief Notices

pp. 428-430
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Contributors

pp. 432-433
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