Volume 98, Number 2, May 2017

Table of Contents

Articles

'Música Para Los Reconciliados': Music, Emotion, and Inquisitorial Autos de Fe' in Early Modern Hispanic Cities

pp. 175-203

Brahms's Non-Strophic Settings of Stanzaic Poetry

pp. 204-231

Jenny Lind, Voice, Celebrity

pp. 232-254

Hearing the Music of Others: Pierre Schaeffer's Humanist Interdiscipline

pp. 255-279

Review Article

The New State of Play in Performance Studies

pp. 281-292

Reviews

Of Chronicles and Kings: National Saints and the Emergence of National States in the High Middle Ages ed. by John Bergsagel, David Hiley, and Thomas Riis (review)

pp. 293-294

Nation and Classical Music: From Handel to Copland by Matthew Riley and Anthony D. Smith (review)

pp. 294-296

Mozart's Music of Friends: Social Interplay in the Chamber Works by Edward Klorman (review)

pp. 296-298

Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform by Merih Erol (review)

pp. 298-300

Opera and Modern Spectatorship in Late Nineteenth-Century Italy by Alessandra Campana (review)

pp. 300-303

Parisian Music-Hall Ballet, 1871–1913 by Sarah Gutsche-Miller (review)

pp. 303-305

Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer by Jennifer Bain (review)

pp. 306-308

Rounding Wagner's Mountain: Richard Strauss and Modern German Opera by Bryan Gilliam (review)

pp. 308-311

Creating Der Rosenkavalier: From Chevalier to Cavalier by Michael Reynolds (review)

pp. 311-313

Der junge Webern: Texte und Kontexte ed. by Thomas Ahrend and Matthias Schmidt (review)

pp. 313-315

Music, Art and Diplomacy: East–West Cultural Interactions and the Cold War ed. by Simo Mikkonen and Pekka Suutari (review)

pp. 315-317

Beyond Britten: The Composer and the Community ed. by Peter Wiegold and Ghislaine Kenyon (review)

pp. 317-318

Music and Irish Identity: Celtic Tiger Blues by Gerry Smyth (review)

pp. 318-320

The Revolution Will not Be Televised: Protest Music after Fukushima by Noriko Manabe (review)

pp. 320-322

Performing Civility: International Competitions in Classical Music by Lisa McCormick (review)

pp. 322-324

Experimental Music since 1970 by Jennie Gottschalk (review)

pp. 324-325

Thomas Adès: Asyla by Edward Venn (review)

pp. 326-328

Audible Empire: Music, Global Politics, Critique ed. by Ronald Radano and Tejumola Olaniyan (review)

pp. 328-331

She is Cuba: A Genealogy of the Mulata Body by Melissa Blanco Borelli, and: Spirit Song: Afro-Brazilian Religious Music and Boundaries by Marc Gidal (review)

pp. 331-333

The Oxford Handbook of Dance and Theater ed. by Nadine George-Graves (review)

pp. 333-335

'Music & Letters' Awards

p. 338

Authors of Articles in This Issue

p. 338

Books Received

pp. 339-340

The New State of Play in Performance Studies

p. 341

Jenny Lind, Voice, Celebrity

p. 342