1. 'Música Para Los Reconciliados': Music, Emotion, and Inquisitorial Autos de Fe' in Early Modern Hispanic Cities
  2. Ascension Mazuela-Anguita
  3. pp. 175-203
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  1. Brahms's Non-Strophic Settings of Stanzaic Poetry
  2. Robert Snarrenberg
  3. pp. 204-231
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  1. Jenny Lind, Voice, Celebrity
  2. Francesca Vella
  3. pp. 232-254
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  1. Hearing the Music of Others: Pierre Schaeffer's Humanist Interdiscipline
  2. Patrick Valiquet
  3. pp. 255-279
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  1. The New State of Play in Performance Studies
  2. Ian Pace
  3. pp. 281-292
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  1. Nation and Classical Music: From Handel to Copland by Matthew Riley and Anthony D. Smith (review)
  2. Brian Christopher Thompson
  3. pp. 294-296
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  1. Mozart's Music of Friends: Social Interplay in the Chamber Works by Edward Klorman (review)
  2. Nancy November
  3. pp. 296-298
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  1. Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform by Merih Erol (review)
  2. Alexander Lingas
  3. pp. 298-300
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  1. Opera and Modern Spectatorship in Late Nineteenth-Century Italy by Alessandra Campana (review)
  2. Laura Protano-Biggs
  3. pp. 300-303
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  1. Parisian Music-Hall Ballet, 1871–1913 by Sarah Gutsche-Miller (review)
  2. Helena Kopchick Spencer
  3. pp. 303-305
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  1. Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer by Jennifer Bain (review)
  2. Margot Fassler
  3. pp. 306-308
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  1. Rounding Wagner's Mountain: Richard Strauss and Modern German Opera by Bryan Gilliam (review)
  2. David Larkin
  3. pp. 308-311
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  1. Creating Der Rosenkavalier: From Chevalier to Cavalier by Michael Reynolds (review)
  2. Philip Graydon
  3. pp. 311-313
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  1. Der junge Webern: Texte und Kontexte ed. by Thomas Ahrend and Matthias Schmidt (review)
  2. Sebastian Wedler
  3. pp. 313-315
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  1. Music, Art and Diplomacy: East–West Cultural Interactions and the Cold War ed. by Simo Mikkonen and Pekka Suutari (review)
  2. M. J. Grant
  3. pp. 315-317
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  1. Beyond Britten: The Composer and the Community ed. by Peter Wiegold and Ghislaine Kenyon (review)
  2. Justin Vickers
  3. pp. 317-318
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  1. Music and Irish Identity: Celtic Tiger Blues by Gerry Smyth (review)
  2. Timothy M. Love
  3. pp. 318-320
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  1. The Revolution Will not Be Televised: Protest Music after Fukushima by Noriko Manabe (review)
  2. John Street
  3. pp. 320-322
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  1. Performing Civility: International Competitions in Classical Music by Lisa McCormick (review)
  2. Stephen Cottrell
  3. pp. 322-324
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  1. Experimental Music since 1970 by Jennie Gottschalk (review)
  2. Lauren Redhead
  3. pp. 324-325
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  1. Thomas Adès: Asyla by Edward Venn (review)
  2. Alexi Vellianitis
  3. pp. 326-328
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  1. Audible Empire: Music, Global Politics, Critique ed. by Ronald Radano and Tejumola Olaniyan (review)
  2. Slndhumathi Revuluri
  3. pp. 328-331
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  1. The Oxford Handbook of Dance and Theater ed. by Nadine George-Graves (review)
  2. Maribeth Clark
  3. pp. 333-335
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  1. 'Music & Letters' Awards
  2. p. 338
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  1. Authors of Articles in This Issue
  2. p. 338
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  1. The New State of Play in Performance Studies
  2. Ian Pace
  3. p. 341
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  1. Jenny Lind, Voice, Celebrity
  2. Francesca Francesca
  3. p. 342
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  1. Books Received
  2. pp. 339-340
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