1. Anatomy, the Brain, and Memory in Tristram Shandy: A Forensic Examination of Sterne's Narrative Structure
  2. Matthew Landers
  3. pp. 397-414
  4. DOI: 10.1353/con.2017.0026
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  1. How Patterns Meet: Tracing the Isomorphic Imagination in Contemporary Neuroculture
  2. Stephan Besser
  3. pp. 415-445
  4. DOI: 10.1353/con.2017.0027
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  1. "Moulder[ing] into nothingness among the rocks": Sharpshooters in Gardner's Photographic Sketch Book of the Civil War
  2. Harrison Dietzman
  3. pp. 447-473
  4. DOI: 10.1353/con.2017.0028
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  1. The Articulate Eye: Color-Music, the Color Sense, and the Language of Abstraction
  2. Nicholas Gaskill
  3. pp. 475-505
  4. DOI: 10.1353/con.2017.0029
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  1. "where it is farer written": William Harvey's Praelectiones Anatomiae Universalis Considered as an English Text
  2. Alan Salter
  3. pp. 507-552
  4. DOI: 10.1353/con.2017.0030
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  1. Realizing the Witch: Science, Cinema, and the Mastery of the Invisible by Richard Baxstrom and Todd Meyers (review)
  2. David B. Levy
  3. pp. 553-556
  4. DOI: 10.1353/con.2017.0031
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  1. The Cybernetics Moment: Or Why We Call Our Age the Information Age by Ronald R. Klein (review)
  2. Heather A. Love
  3. pp. 557-559
  4. DOI: 10.1353/con.2017.0035
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  1. Multiple Autisms: Spectrums of Advocacy and Genomic Science by Jennifer S. Singh (review)
  2. Rebecah Pulsifer
  3. pp. 560-563
  4. DOI: 10.1353/con.2017.0032
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  1. Poiesis and Enchantment in Topological Matter by Sha Xin Wei (review)
  2. Michael Uhall
  3. pp. 563-566
  4. DOI: 10.1353/con.2017.0033
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  1. Contributors
  2. pp. 567-569
  3. DOI: 10.1353/con.2017.0034
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