1. Daniel L. Heiple: : December 22, 1943 – August 10, 1999 in Memoriam
  2. Elizabeth S. Boyce
  3. pp. 7-13
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  1. Making War, Not Love: : The Contest of Cultural Difference and the Honor Code in Calderón’s Amar Después de la Muerte
  2. Anne J. Cruz
  3. pp. 17-33
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  1. “¡Qué Bien Sabéis Persuadir!”: : Petrarch, Don Juan, and Ana Caro
  2. Dian Fox
  3. pp. 37-51
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  1. Homo/Hetero/Social/Sexual: : Gila in Vélez de Guevara’s la Serrana de la Vera
  2. Matthew D. Stroud
  3. pp. 53-69
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  1. Miracles of Performance: : Lope de Vega’s el Caballero del Milagro and Guillén de Castro’s el Narciso en su Opinión
  2. Harry Vélez-Quiñones
  3. pp. 71-84
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  1. ‘Language and Silence’: : Performing Friendship and Honor in Calderón’s El Pintor de su Deshonra
  2. Charles Oriel
  3. pp. 85-102
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  1. La Vida es Sueño en las Escenas Posmodernas
  2. Susan L. Fischer
  3. pp. 103-119
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  1. Prodigal Sons, Prodigious Daughters: : Irony and the Picaresque Tradition
  2. Edward H. Friedman
  3. pp. 123-138
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  1. Don Quixote: : Kind Reconsidered
  2. James A. Parr
  3. pp. 139-148
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  1. The Sexual Landscape of Celestina: : Some Observations
  2. Joseph T. Snow
  3. pp. 149-166
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  1. Painting Danaë, Diana, Europa and Venus: : Titian and Argensola’s A Nuño de Mendoza
  2. Frederick A. de Armas
  3. pp. 181-197
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  1. Interplay of Syntax and Metrics in Garcilaso’s Sonnets
  2. Elias L. Rivers
  3. pp. 199-215
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  1. Santillana and the Problem of the Renaissance
  2. Ignacio Navarrete
  3. pp. 217-235
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  1. Alimento y Mujer en un Poema de Antonio Hurtado de Mendoza
  2. Olympia B. González
  3. pp. 237-250
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  1. Reading and Contextualising Quevedo: : The Case of “Flota de Cuantos Rayos y Centellas”
  2. Bernard P. E. Bentley
  3. pp. 251-262
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  1. Vir Melancholicus/Femina Tristis: : Towards a Poetics of Women’s Loss
  2. Julián Olivares
  3. pp. 263-293
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  1. Bodies of Discovery: : Vesalian Anatomy and Luis Barahona de Soto’s Las Lágrimas de Angélica
  2. Charles Ganelin
  3. pp. 295-308
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  1. Tabula in Memoriam
  2. pp. 313-314
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  1. Contributors
  2. pp. 309-312
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