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Table of Contents

  1. Gongora
  2. María Cristina Quintero
  3. restricted access
  1. Góngora en Gracián
  2. Gonzalo Sobejano
  3. pp. 19-35
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  1. Luis De Góngora: Un Arte Nuevo De Hacer Comedias Diferente
  2. Laura Dolfi
  3. pp. 37-54
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  1. Realities and Poets: Góngora, Cervantes, and the Nature of Art
  2. Edward H. Friedman
  3. pp. 55-68
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  1. The Gaze and the Mirror: Vision, Desire, and Identity in Góngora’s Fábula De Polifemo Y Galatea
  2. Mary E. Barnard
  3. pp. 69-85
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  1. Mastering the Maze in Góngora’s Soledades
  2. Marsha S. Collins
  3. pp. 87-102
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  1. On the Beach: Myth, Falconry, and the End of the Soledades
  2. Carroll B. Johnson
  3. pp. 103-123
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  1. Embracing Hercules / Enjoying Ganymede: The Homoerotics of Humanism in Góngora’s Soledad Primera
  2. Frederick A. de Armas
  3. pp. 125-140
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  1. Góngora: “Poeta de Bujarrones”
  2. Adrienne L. Martín
  3. pp. 141-160
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  1. De Góngora by José Maria Micó, and: El “Polifemo” de Luis de Góngora. Ensayo de crítica e historia literaria by José Maria Micó
  2. Pedro Ruiz Pérez
  3. pp. 161-180
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  1. The ‘Soledades,’ Góngora’s Masque of the Imagination by Marsha S. Collins
  2. Carroll B. Johnson
  3. pp. 165-167
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  1. Pilgrimage to Patronage: Lope de Vega and the Court of Philip III, 1598–1621 by Elizabeth R. Wright
  2. David H. Darst
  3. pp. 168-169
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  1. Myth and Identity in the Epic of Imperial Spain by Elizabeth B Davis
  2. Julian Weiss
  3. pp. 170-175
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  1. The Cultural Labyrinth of María de Zayas by Marina S. Brownlee
  2. Sherry Velasco
  3. pp. 175-177
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  1. This Tight Embrace. Luisa de Carvajal y Mendoza (1566–1614) by Carvajal, Luisa de Mendoza
  2. Elizabeth Teresa Howe
  3. pp. 177-179
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  1. Introduction
  2. María Cristina Quintero
  3. pp. 13-17
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  1. Books Received
  3. pp. 181-183
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  1. Contributors
  3. pp. 185-187
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