Volume 64, Number 3, July-September 2017

Table of Contents

Articles

Entangled Modernities in the Culture of Korean Music Publishing: Challenges in Establishing A Contemporary Korean Art Music Archive

pp. 215-225

Il Pianoforte (Torino, 1920–1927): A Window on Modern Music During the Fascist Regime: Searching RIPM to Identify an International Network of Collaborating Music Critics

pp. 227-243

Early Music Prints and New Technology: Variants and Variant Editions

pp. 244-259

Texas: Where Americans, Mexicans, Germans, and Italians Meet: The Hauschild Music Collection at the Cushing Memorial Library and Archives

pp. 261-275

Massimo Mila, the Prismatic Intellectual: An Archival Case Study

pp. 276-296

Briefs / Feuilletons

pp. 299-305

Reviews

Performing Gender, Place, and Emotion in Music: Global Perspectives ed. by Fiona Magowan and Louise Wrazen (review)

pp. 306-307

Sinfonia Eroica: The First Great Romantic Symphony by James Hamilton-Paterson (review)

pp. 307-308

A-R Editions Online Music Anthology (review)

pp. 308-310

Opera. Complete Archive (Vol. 1 [February 1950]–) (review)

pp. 310-312

Die Musik in Geschichte und Gegenwart–MGG-Online by Herausgegeben von Laurenz Lütteken (review)

pp. 312-314

Messiah: The Composition and Afterlife of Handel's Masterpiece by Jonathan Keates (review)

pp. 314-315

Interlacing Traditions: Neo Gregorian Mass Propers in Beneventan Manuscripts by Luisa Nardini (review)

pp. 315-319

Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe by Kate van Orden (review)

pp. 319-321