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Table of Contents

  1. Entangled Modernities in the Culture of Korean Music Publishing: Challenges in Establishing A Contemporary Korean Art Music Archive
  2. Meebae Lee
  3. pp. 215-225
  4. DOI: https://doi.org/10.1353/fam.2017.0025
  5. restricted access
  1. Il Pianoforte (Torino, 1920–1927): A Window on Modern Music During the Fascist Regime: Searching RIPM to Identify an International Network of Collaborating Music Critics
  2. Nicoletta Betta
  3. pp. 227-243
  4. DOI: https://doi.org/10.1353/fam.2017.0026
  5. restricted access
  1. Early Music Prints and New Technology: Variants and Variant Editions
  2. Andrea Lindmayr Brandl
  3. pp. 244-259
  4. DOI: https://doi.org/10.1353/fam.2017.0027
  5. restricted access
  1. Texas: Where Americans, Mexicans, Germans, and Italians Meet: The Hauschild Music Collection at the Cushing Memorial Library and Archives
  2. Felicia Piscitelli
  3. pp. 261-275
  4. DOI: https://doi.org/10.1353/fam.2017.0028
  5. restricted access
  1. Massimo Mila, the Prismatic Intellectual: An Archival Case Study
  2. Carla Cuomo
  3. pp. 276-296
  4. DOI: https://doi.org/10.1353/fam.2017.0029
  5. restricted access
  1. Briefs / Feuilletons
  2. John Shepard, Arsinoi Ioannidou, Eleanor Selfridge-Field
  3. pp. 299-305
  4. DOI: https://doi.org/10.1353/fam.2017.0030
  5. restricted access
  1. Performing Gender, Place, and Emotion in Music: Global Perspectives ed. by Fiona Magowan and Louise Wrazen (review)
  2. Stephanie Bonjack
  3. pp. 306-307
  4. DOI: https://doi.org/10.1353/fam.2017.0031
  5. restricted access
  1. Sinfonia Eroica: The First Great Romantic Symphony by James Hamilton-Paterson (review)
  2. Nick Newland
  3. pp. 307-308
  4. DOI: https://doi.org/10.1353/fam.2017.0032
  5. restricted access
  1. A-R Editions Online Music Anthology (review)
  2. Alan Asher
  3. pp. 308-310
  4. DOI: https://doi.org/10.1353/fam.2017.0033
  5. restricted access
  1. Opera. Complete Archive (Vol. 1 [February 1950]–) (review)
  2. Hayley Fenn
  3. pp. 310-312
  4. DOI: https://doi.org/10.1353/fam.2017.0034
  5. restricted access
  1. Die Musik in Geschichte und Gegenwart–MGG-Online by Herausgegeben von Laurenz Lütteken (review)
  2. Allan Badley
  3. pp. 312-314
  4. DOI: https://doi.org/10.1353/fam.2017.0035
  5. restricted access
  1. Messiah: The Composition and Afterlife of Handel's Masterpiece by Jonathan Keates (review)
  2. Donald Burrows
  3. pp. 314-315
  4. DOI: https://doi.org/10.1353/fam.2017.0036
  5. restricted access
  1. Interlacing Traditions: Neo Gregorian Mass Propers in Beneventan Manuscripts by Luisa Nardini (review)
  2. James Vincent Maiello
  3. pp. 315-319
  4. DOI: https://doi.org/10.1353/fam.2017.0037
  5. restricted access
  1. Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe by Kate van Orden (review)
  2. Huub van der Linden
  3. pp. 319-321
  4. DOI: https://doi.org/10.1353/fam.2017.0038
  5. restricted access