1. Signing Large Color Prints: The Significance of Blake's Signatures
  2. Joseph Viscomi
  3. pp. 365-402
  4. DOI: 10.1353/hlq.2017.0022
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  1. Blake Writes Backward
  2. Alexander S. Gourlay
  3. pp. 403-421
  4. DOI: 10.1353/hlq.2017.0023
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  1. The Uncollected Letters of William Blake
  2. Angus Whitehead
  3. pp. 423-435
  4. DOI: 10.1353/hlq.2017.0024
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  1. On Blinks and Kisses, Monkeys and Bears: Dating William Blake's An Island in the Moon
  2. Fernando Castanedo
  3. pp. 437-452
  4. DOI: 10.1353/hlq.2017.0025
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  1. Blake, Young, and the Poetics of the Composite Page
  2. Luisa Calè
  3. pp. 453-479
  4. DOI: 10.1353/hlq.2017.0026
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  1. The Influence of the Moravian Collection of Hymns on William Blake's Later Mythology
  2. Wayne C. Ripley
  3. pp. 481-498
  4. DOI: 10.1353/hlq.2017.0027
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  1. Editing in Technicolor: The Blake Archive's Edition of the Vala or The Four Zoas Manuscript
  2. Rachel Lee
  3. pp. 499-515
  4. DOI: 10.1353/hlq.2017.0028
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  1. The Editorial Void: Notes toward a Study of Oblivion
  2. Morris Eaves
  3. pp. 517-538
  4. DOI: 10.1353/hlq.2017.0029
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  1. Introduction
  2. Mark Crosby
  3. pp. 361-364
  4. DOI: 10.1353/hlq.2017.0021
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