restricted access   Volume 24, Number 2, 2015

Table of Contents

From: Journal of Mediterranean Studies

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Mediterranean Manifesto: : From Mashrabiya and the Doha Tower to Fortress Europe

pp. 137-146


The Gothic Mediterranean: : Haunting Migrations and Critical Melancholia

pp. 147-165

Enrico Pea and Giuseppe Ungaretti: : Matrices of Italian Identity and Literature across the Mediterranean

pp. 167-182


Parisian Dystopias: : The Mothers of Maghrebi Migration in Yamina Benguigui’s Mémoires D’immigrés, Mehdi Charef’s Le Thé au Harem D’Archi Ahmed and Leïla Sebbar’s Fatima ou les Algériennes au Square

pp. 183-199

Blue is the Colour of Forgetting: : Mediterranean Re-Orientations in Italian Cinema

pp. 201-214


Reframing Accountability in Spanish Immigration Cinema: : Mediterranean Modernity and the Shortcomings of ‘NGO-Films’

pp. 215-229

The Muslim Mediterranean: : Islam and the Contradictions of ‘Europe’ in Bosnia and Herzegovina

pp. 231-248


Afterword: : Sea and City

pp. 249-252

Book Reviews

Communities of Style: Portable Luxury Arts, Identity and Collective Memory in the Iron Age Levant by Marian H. Feldman (review)

pp. 253-255

Illegality, Inc., Clandestine Migration and the Business of Bordering Europe by Ruben Andersson (review)

pp. 255-256

Performing Nostalgia: Migration Culture and Creativity in South Albania by Eckehard Pistrick (review)

pp. 256-259