1. Mit(h)ridate's Poisoned Roots: Racine, Prose Tragedy, and Opera
  2. Katharina Clausius
  3. pp. 103-133
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  1. Offenbach's Bouffonnerie, Wagner's Rêverie: The Materiality and Politics of the Ineffable in Second Empire Paris
  2. Peter Mondelli
  3. pp. 134-159
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  1. Picturing the Paris Salome, May 1907
  2. Davinia Caddy
  3. pp. 160-191
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  1. From Operatic Stage to Silent Screen: Casa Ricordi and Film d'Arte Italiana's 1911 Aida
  2. Christy Thomas
  3. pp. 192-220
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  1. In dolce amore: Arias and Cantatas by Antonio Caldara
  2. Berta Joncus
  3. pp. 221-225
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  1. Wagnerian Dreams, Grandiose Visions: Lawrence Freeman's Voodoo at the Miller Theater at Columbia University
  2. Kira Thurman
  3. pp. 226-232
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  1. "A Voice as Something More: An International Conference," University of Chicago, November 20-22, 2015
  2. Zhuqing (Lester) Hu
  3. pp. 233-237
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