restricted access   Volume 50, Number 5, 2017

Table of Contents


Arts, Humanities and Complex Networks Reach Critical Threshold

p. 440

Artist’s Article

@Caltech: Art, Science and Technology, 1969–1971

pp. 443-447

Color Plates

p. 449

General Articles

Reactions to Imagery Generated Using Computational Aesthetic Measures

pp. 453-460

Dance Becoming Knowledge: Designing a Digital “Body”

pp. 461-467

Suggestions for a Parametric Typology of Dance

pp. 468-476

The Last Word Is: ImaginationA Study of the Spatial Aspects of Edgard Varèse’s Work, Part II: Visual Evidence

pp. 477-485

Historical Perspectives

R. Buckminster Fuller, the Expo ’67 Pavilion and the Atoms for Peace Program

pp. 486-492

Holograms: The Story of a Word and Its Cultural Uses

pp. 493-499

Special Section: Arts, Humanities and Complex Networks 2015

Arts, Humanities and Complex Networks 2015

p. 500

Modeling Structure and Content: Socio-Semantic Network Analysis of the Mahābhārata

p. 501

Stylometric Networks and Fake Authorships

p. 502

Visualizing and Analyzing Complex and Dynamic Networks of Flemish Tapestry Entrepreneurs (1640–1720)

p. 503

Differential Hive Plots: Seeing Networks Change

p. 504

Visualizing the Evolution of Programming Languages

p. 505

Special Section: Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 3

Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 3

p. 506

Soybots: Mobile Micro-Gardens

pp. 507-508

Expressive Cartography, Boundary Objects and the Aesthetics of Public Visualization

pp. 509-510

Shanghai Metro Flow: Multiple Perspectives into a Subway System

pp. 511-512

Hearts and Minds: The Interrogations Project

pp. 513-514

Special Section: PhD in Art and Design

PhD in Art and Design

pp. 515-519

An Alternative Approach to Establishing a Studio Doctorate in Fine Art

pp. 520-525

Case Study: The Development and Evolution of the Creative Arts Practice-led PhD at the University of Melbourne, Victorian College of the Arts

pp. 526-527

Special Section: Leonardo Abstracts Service: Top-Rated LABS Abstracts 2016

Top-Rated LABS Abstracts 2016

p. 528

Other-Worlds: Encounters with the Visual Perception of Lungfishes through Science and Art

p. 529

A Machine that Dreams: An Artistic Enquiry Leading to an Integrative Theory and Computational Artwork

p. 530

Bioart as a Space for Identity Conceptualization: Figuring the Human Body under the Scope of Biotechnologies

p. 530

Exploring the Cognitive Correlates of Artistic Practice Using a Parameterized Non-Photorealistic Toolkit

pp. 531-452

Postgenomic Identity: Art and Biopolitics

p. 531

Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art

p. 532

Digital Debris of Internet Art: An Allegorical and Entropic Resistance to the Epistemology of Search

p. 533

Affect and the Experimental Design of Domestic Products

p. 533

Quality of Aesthetic Experience and Implicit Modulating Factors

p. 534

The Strange Dance: 9 Evenings:

p. 535

The Harmonic Pattern Function: A Mathematical Model Integrating Synthesis of Sound and Graphical Patterns

p. 535

Listening Art: Making Sonic Artworks That Critique Listening

p. 536

Vastal: The Vivoarts School for Transgenic Aesthetics, Ltd.

p. 536

Leonardo Reviews

Imagining Extinction: The Cultural Meanings of Endangered Species by Ursula K. Heise (review)

pp. 537-538

Rogue Archives: Digital Cultural Memory and Media Fandom by Abigail De Kosnik (review)

pp. 538-539

The Ordinary Man of Cinema by Jean Louis Schefer (review)

pp. 539-540

The Selected Letters of John Cage ed. by Laura Kuhn (review)

pp. 540-541

The Hidden Third by Basarab Nicolescu (review)

p. 542

The Apparently Marginal Activities of Marcel Duchamp by Elena Filipovic (review)

pp. 542-544

Mirror Affect: Seeing Self, Observing Others in Contemporary Art by Cristina Albu (review)

p. 544

The New Ecology: Rethinking a Science for the Anthropocene by Oswald J. Schmitz (review)

pp. 545-547

The Participatory Condition in the Digital Age ed. by Darin Barney et al. (review)

pp. 547-548

The Ancient Origins of Consciousness: How the Brain Created Experience by Todd E. Feinberg and Jon M. Mallatt (review)

pp. 548-549

The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction ed. by Grant Wythoff (review)

pp. 549-550

Leonardo Reviews Online

pp. 550-551

The Network: Recaps and Announcements from the Leonardo Community

pp. 552-553


Cognitive Innovation and the Cognitive Turn

pp. 554-555