1. Creativity and Tradition: Mediterranean Folk-Poetry in Sung Form
  2. Micheline Galley
  3. pp. 1-6
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  1. The Epic Poet in Egyptian Tradition
  2. Giovanni Canova
  3. pp. 7-14
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  1. The Phenomenology of Improvisation: Ethics and Aesthetics the Case of the ‘Ottava Rima’
  2. Giovanni Kezich
  3. pp. 15-27
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  1. Poesia in Piazza Les Joutes Poétiques Improvisées en Sardaigne
  2. Maria Manca
  3. pp. 28-44
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  1. The Bedouin Oral Historical Narrative as a Literary Product and Historical Source
  2. Saad A. Sowayan
  3. pp. 45-55
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  1. Maltese Għana: Some Remarks on the Process of Invention
  2. Joseph Cassar Pullicino, Micheline Galley
  3. pp. 70-81
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  1. La création populaire en Proche et Moyen Orient
  2. Shiloah Amnοn
  3. pp. 82-87
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  1. Modalites d’Organisation du Chant Berbere: Paroles et Musique
  2. Miriam Rovsing Olsen
  3. pp. 88-108
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  1. Poèsie Chantee en Kabyle: Changement ou Permanence
  2. Tassadit Yacine
  3. pp. 109-119
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  1. Les Chants de l’Escarpolette au Maghreb
  2. Mourad Yelles-Chaouche
  3. pp. 120-134
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  1. Traditions Poetiques et Musicales Juives au Maroc: Centralite Religieuse et Fonctions Sociales
  2. Haim Zafrani
  3. pp. 135-146
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  1. Arab Folksongs and Palestinian Identity
  2. Abdullatif Barghouthi
  3. pp. 147-172
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  1. Los Dos Cejeles Anónimos Magrebíes de la Genizah
  2. Federico Corriente
  3. pp. 173-176
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  1. Compte Rendu: Il Verso Cantato
  2. Bernard Lortat-Jacob
  3. pp. 177-178
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  1. Index
  2. pp. 179-181
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  1. Revitalizing European Rituals
  2. Jeremy Boissevain, Paul Sant Cassia
  3. pp. 182-187
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  1. Books Received
  2. p. 188
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