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Table of Contents

  1. Philip Roth’s Transdisciplinary Translation
  2. Maren Scheurer, Aimee Pozorski
  3. pp. 5-12
  4. DOI: https://doi.org/10.5703/philrothstud.13.1.0005
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  1. A Psychopathology of Everyday Women: Psychoanalytic Aesthetics and Gender Politics in Letting Go and “The Psychoanalytic Special”
  2. Maren Scheurer
  3. pp. 13-28
  4. DOI: https://doi.org/10.5703/philrothstud.13.1.0013
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  1. Not Getting It: The Allure of the Counterlife in Early and Late Roth
  2. Victoria Aarons
  3. pp. 29-44
  4. DOI: https://doi.org/10.5703/philrothstud.13.1.0029
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  1. In the Roth Archives: The Evolution of Philip Roth’s Kepesh Trilogy1
  2. Mike Witcombe
  3. pp. 45-63
  4. DOI: https://doi.org/10.5703/philrothstud.13.1.0045
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  1. Zeno 2.0: A Psychoanalytic Dialogue between Zeno’s Conscience and Portnoy’s Complaint
  2. Marta Mędrzak
  3. pp. 65-73
  4. DOI: https://doi.org/10.1353/prs.2017.a669626
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  1. The Place of the “Aesthetic” in Zuckerman Unbound: Roth’s Conversation with Kierkegaard
  2. Valérie Roberge
  3. pp. 75-91
  4. DOI: https://doi.org/10.5703/philrothstud.13.1.0075
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  1. Trauma, Ethics and Psychoanalysis in Philip Roth’s Sabbath’s Theater
  2. Gurumurthy Neelakantan
  3. pp. 93-104
  4. DOI: https://doi.org/10.5703/philrothstud.13.1.0093
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  1. “about people like you”: PTSD and the Ethical Relation in Roth’s The Human Stain
  2. Aimee Pozorski
  3. pp. 105-118
  4. DOI: https://doi.org/10.5703/philrothstud.13.1.0105
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  1. A Response
  2. Bryan Cheyette
  3. pp. 119-121
  4. DOI: https://doi.org/10.5703/philrothstud.13.1.0119
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  1. Abbreviations
  3. p. 4
  4. DOI: https://doi.org/10.1353/prs.2017.a669621
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  1. Contributors
  3. pp. 123-124
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