1. Can You Tell Me How to Get to the Warsaw Ghetto?
  2. Benjamin Paloff
  3. DOI: 10.1353/mod.2017.0054
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  1. Red Rosa: On the Gender of the November Revolution in the German Avant-Gardes
  2. Sascha Bru, Anke Gilleir
  3. DOI: 10.1353/mod.2017.0055
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  1. The Cosmopolitan Coin: What Modernists Make of Money
  2. Nicky Marsh
  3. DOI: 10.1353/mod.2017.0056
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  1. "My Most Humiliating Jim Crow Experience": Afro-Modernist Critiques of Eugenics and Medical Segregation
  2. Jess Waggoner
  3. DOI: 10.1353/mod.2017.0057
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  1. The Compsons Were Here: Indexicality, the Actuality, and the Crisis of Meaning in The Sound and the Fury
  2. Pardis Dabashi
  3. DOI: 10.1353/mod.2017.0058
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  1. Laboratory, Library, Database: London's Avant-Garde Drama Societies and Ephemeral Repertoire
  2. Matthew Franks
  3. DOI: 10.1353/mod.2017.0049
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  1. Revolutionary Boredom: Uninteresting Affects, Operatic Modernity, and American Feminism in Stein's The Mother of Us All
  2. Simon Porzak
  3. DOI: 10.1353/mod.2017.0050
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  1. Paris Dada and the Transfiguration of Boredom
  2. Joyce Suechun Cheng
  3. DOI: 10.1353/mod.2017.0051
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  1. Dada's Birthday Bibliography
  2. Abigail Susik
  3. DOI: 10.1353/mod.2017.0052
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  1. New Modernist Autonomies
  2. Christopher Langlois
  3. DOI: 10.1353/mod.2017.0053
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  1. Impossible Modernism: T. S. Eliot, Walter Benjamin, and the Critique of Historical Reason by Robert S. Lehman (review)
  2. Jesse Matz
  3. DOI: 10.1353/mod.2017.0046
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  1. Radical Empiricists: Five Modernist Close Readers by Helen Thaventhiran (review)
  2. Laura Heffernan
  3. DOI: 10.1353/mod.2017.0047
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  1. Epic Negation: The Dialectical Poetics of Late Modernism by C. D. Blanton (review)
  2. Marsha Bryant
  3. DOI: 10.1353/mod.2017.0048
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  1. Incomparable Empires: Modernism and the Translation of Spanish and American Literature by Gayle Rogers (review)
  2. Ignacio Infante
  3. DOI: 10.1353/mod.2017.0039
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  1. Little Magazine, World Form by Eric Bulson (review)
  2. Mark Gaipa
  3. DOI: 10.1353/mod.2017.0040
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  1. Modern Print Artefacts: Textual Materiality and Literary Value in British Print Culture, 1890–1930s by Patrick Collier (review)
  2. Dennis Duncan
  3. DOI: 10.1353/mod.2017.0041
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  1. The Language of Vision: Photography and Southern Literature in the 1930s and After by Joseph R. Millichap (review)
  2. Katherine Henninger
  3. DOI: 10.1353/mod.2017.0042
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  1. Espionage and Exile: Fascism and Anti-Fascism in British Spy Fiction and Film by Phyllis Lassner (review)
  2. Erin G. Carlston
  3. DOI: 10.1353/mod.2017.0043
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  1. Ecocriticism in the Modernist Imagination: Forster, Woolf, and Auden by Kelly Sultzbach (review)
  2. Jon Hegglund
  3. DOI: 10.1353/mod.2017.0044
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  1. Recent Books of Interest
  3. DOI: 10.1353/mod.2017.0045
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